{"id":8347,"date":"2026-02-16T19:16:04","date_gmt":"2026-02-16T18:16:04","guid":{"rendered":"https:\/\/pigyki.fr\/?p=8347"},"modified":"2026-02-16T19:16:06","modified_gmt":"2026-02-16T18:16:06","slug":"escucha-musical-n81-betsy-jolas","status":"publish","type":"post","link":"https:\/\/pigyki.fr\/index.php\/es\/2026\/02\/16\/escucha-musical-n81-betsy-jolas\/","title":{"rendered":"Escucha musical n\u00b081   Betsy Jolas"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">Betsy Jolas (*1926)<\/h1>\n\n\n\n<blockquote class=\"wp-block-quote has-text-align-center is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong><em><em><strong>Ning\u00fan discurso sobre la m\u00fasica puede sustituir a la m\u00fasica.<\/strong><\/em><\/em><\/strong><br><strong><em><em><strong>Esto es v\u00e1lido para cualquier tipo de m\u00fasica.<\/strong><\/em><\/em><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-right\">Betsy Jolas<\/p>\n<\/blockquote>\n\n\n<style>.wp-block-kadence-advancedgallery.kb-gallery-wrap-id-8347_e32b7c-94{overflow:hidden;}.kb-gallery-id-8347_e32b7c-94 .kadence-blocks-gallery-item .kb-gal-image-radius, .kb-gallery-id-8347_e32b7c-94 .kb-slide-item .kb-gal-image-radius img{border-radius:0px 0px 0px 0px;;}.kb-gallery-wrap-id-8347_e32b7c-94.wp-block-kadence-advancedgallery{overflow:visible;}.kb-gallery-wrap-id-8347_e32b7c-94.wp-block-kadence-advancedgallery .kt-blocks-carousel{overflow:visible;}<\/style><div class=\"kb-gallery-wrap-id-8347_e32b7c-94 alignnone wp-block-kadence-advancedgallery\"><div class=\"kb-gallery-ul kb-gallery-non-static kb-gallery-type-carousel kb-gallery-id-8347_e32b7c-94 kb-gallery-caption-style-bottom-hover kb-gallery-filter-none\" data-image-filter=\"none\" data-lightbox-caption=\"true\"><div class=\"kt-blocks-carousel splide kt-carousel-container-dotstyle-dark kt-carousel-arrowstyle-whiteondark kt-carousel-dotstyle-dark kb-slider-group-arrow kb-slider-arrow-position-center\" data-columns-xxl=\"4\" data-columns-xl=\"4\" data-columns-md=\"4\" data-columns-sm=\"3\" data-columns-xs=\"2\" data-columns-ss=\"2\" data-slider-anim-speed=\"400\" data-slider-scroll=\"all\" data-slider-arrows=\"true\" data-slider-dots=\"true\" data-slider-hover-pause=\"false\" data-slider-auto=\"1\" data-slider-speed=\"7000\" data-slider-gap=\"10px\" data-slider-gap-tablet=\"10px\" data-slider-gap-mobile=\"10px\" data-show-pause-button=\"false\" data-slider-label=\"Photo Gallery Carousel\"><div class=\"splide__track\"><ul class=\"kt-blocks-carousel-init kb-gallery-carousel splide__list\"><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-hide-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-land43 kb-has-image-ratio-land43\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-4.png\" width=\"320\" height=\"180\" alt=\"\" data-full-image=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-4.png\" data-light-image=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-4.png\" data-id=\"8212\" class=\"wp-image-8212 skip-lazy\" srcset=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-4.png 320w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-4-300x169.png 300w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-4-281x158.png 281w\" sizes=\"auto, (max-width: 320px) 100vw, 320px\" \/><\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-hide-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-land43 kb-has-image-ratio-land43\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-1.png\" width=\"350\" height=\"325\" alt=\"\" data-full-image=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-1.png\" data-light-image=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-1.png\" data-id=\"8209\" class=\"wp-image-8209 skip-lazy\" srcset=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-1.png 350w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-1-300x279.png 300w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-1-281x261.png 281w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-hide-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-land43 kb-has-image-ratio-land43\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-2.png\" width=\"492\" height=\"311\" alt=\"\" data-full-image=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-2.png\" data-light-image=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-2.png\" data-id=\"8210\" class=\"wp-image-8210 skip-lazy\" srcset=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-2.png 492w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-2-300x190.png 300w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-2-281x178.png 281w\" sizes=\"auto, (max-width: 492px) 100vw, 492px\" \/><\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-hide-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-land43 kb-has-image-ratio-land43\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-5.png\" width=\"236\" height=\"213\" alt=\"\" data-full-image=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-5.png\" data-light-image=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-5.png\" data-id=\"8213\" class=\"wp-image-8213 skip-lazy\"\/><\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-hide-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-land43 kb-has-image-ratio-land43\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-6.png\" width=\"200\" height=\"199\" alt=\"\" data-full-image=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-6.png\" data-light-image=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-6.png\" data-id=\"8214\" class=\"wp-image-8214 skip-lazy\" srcset=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-6.png 200w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-6-150x150.png 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-hide-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-land43 kb-has-image-ratio-land43\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-7-e1770736047161.png\" width=\"271\" height=\"227\" alt=\"\" data-full-image=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-7-e1770736047161.png\" data-light-image=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-7-e1770736047161.png\" data-id=\"8215\" class=\"wp-image-8215 skip-lazy\"\/><\/div><\/div><\/figure><\/div><\/div><\/li><li class=\"kb-slide-item kb-gallery-carousel-item splide__slide\"><div class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kadence-blocks-gallery-item-hide-caption\"><div class=\"kb-gal-image-radius\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-land43 kb-has-image-ratio-land43\" ><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-1024x576.png\" width=\"1024\" height=\"576\" alt=\"Betsy Jolas au fil du temps\" data-full-image=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image.png\" data-light-image=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image.png\" data-id=\"8208\" class=\"wp-image-8208 skip-lazy\" srcset=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-1024x576.png 1024w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-300x169.png 300w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-768x432.png 768w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-281x158.png 281w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image.png 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/div><\/div><\/figure><\/div><\/div><\/li><\/ul><\/div><\/div><\/div><\/div>\n\n\n<p><strong><em><a href=\"https:\/\/es.wikipedia.org\/wiki\/Betsy_Jolas\" target=\"_blank\" rel=\"noreferrer noopener\">Betsy Jolas<\/a><\/em><\/strong> (nacida el 5 de agosto de 1926 en Par\u00eds) es una importante compositora franco-estadounidense de m\u00fasica contempor\u00e1nea. Hija del escritor Eug\u00e8ne Jolas, creci\u00f3 entre Francia y Estados Unidos antes de regresar a Par\u00eds para estudiar en el Conservatorio, en particular con <strong>Darius Milhaud<\/strong> y <strong>Olivier Messiaen<\/strong>.<\/p>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-image-fill-element\"><div class=\"wp-block-media-text__content\">\n<p>Su obra, rica y variada, incluye m\u00fasica de c\u00e1mara, obras vocales, piezas orquestales y teatro musical. Se distingue por prestar especial atenci\u00f3n a la voz, el timbre y la polifon\u00eda, sin inscribirse en un sistema \u00fanico.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"580\" src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-8-1024x580.png\" alt=\"\" class=\"wp-image-8216 size-full\" style=\"object-position:50% 50%\" srcset=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-8-1024x580.png 1024w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-8-300x170.png 300w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-8-768x435.png 768w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-8-281x159.png 281w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-8.png 1189w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<p>Profesora influyente en el Conservatorio de Par\u00eds y en numerosas universidades estadounidenses, ha marcado a varias generaciones de compositores. <strong>Sigue viva<\/strong> y sigue siendo una figura esencial de la creaci\u00f3n musical contempor\u00e1nea.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Su obra abarca m\u00e1s de 70 a\u00f1os, \u00a1por lo que presentarla en un art\u00edculo es todo un reto! He escuchado muchas piezas de su cat\u00e1logo y he seleccionado (con dificultad) obras relativamente cortas. <br>Despu\u00e9s de sumergirme durante casi quince d\u00edas en su universo, lo aprecio cada vez m\u00e1s, \u00a1y espero que a ustedes tambi\u00e9n les guste! Lo que es seguro es que es imprescindible escucharla repetidamente para apropiarse de la m\u00fasica contempor\u00e1nea.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Recopilaci\u00f3n 1<\/strong>: Piano \/ Flautas \/ Piano<br><strong><em>Tango si <\/em><\/strong>(1&rsquo;13) \/ <em><strong>Fusain<\/strong><\/em> (6&rsquo;04) \/ <em><strong>Pi\u00e8ce pour<\/strong> <\/em>(8&rsquo;11)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-Compilation-1.mp3\"><\/audio><\/figure>\n\n\n\n<p><strong>Recopilaci\u00f3n 3<\/strong>: Soprano \/ 12 voces solistas<br><strong><em>Caprice \u00e0 une voix<\/em><\/strong> (5&rsquo;30) \/ <em><strong>Sonate \u00e0 12<\/strong><\/em> (14&prime;)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-Compilation-3.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Recopilaci\u00f3n 2<\/strong>: Marimba \/ Vibr\u00e1fono y cinco cencerros \/ Piano Baschet-Malbos<br><strong><em>Morning Thoughts <\/em><\/strong>(4&rsquo;50) \/ <strong><em>\u00c9tudes aper\u00e7ues<\/em><\/strong> (5&prime;) \/ <strong><em>3<sup>e\u0300me<\/sup> Etude Campanaire<\/em><\/strong> (1&rsquo;20)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-Compilation-2.mp3\"><\/audio><\/figure>\n\n\n\n<p><strong>Recopilaci\u00f3n 4<\/strong>: Piezas para orquesta<br><em><strong>D\u2019un op\u00e9ra de voyage<\/strong><\/em> (9&rsquo;40) \/ <em><strong>A Little Summer Suite<\/strong><\/em> (12&prime;)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-Compilation-4.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\"><em><em>Obras para solistas<\/em><\/em><\/h4>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><em>Fusain<\/em> (1971) &#8211; Para un flautista<\/h5>\n\n\n\n<p>Pierre-Yves Artaud, dedicatoria de la pieza, flaut\u00edn y flauta baja. Ver la partitura <em><a href=\"https:\/\/youtu.be\/abPtx8KDwWg?si=1g9-WZz8wrYjpr9y\" target=\"_blank\" rel=\"noreferrer noopener\">aqui<\/a><\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-Fusain-1971-with-score.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><em>Tranche<\/em> (1966)<\/h5>\n\n\n\n<p>Paola Aviles, Arpa<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Tranche-de-Betsy-Jolas-par-Paola-Aviles.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><em>Pi\u00e8ce pour &#8230;<\/em> (1997)<\/h5>\n\n\n\n<p>Roberto Boschelli, Piano (2020)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-Piece-Pour.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><em>\u00c9pisode sixi\u00e8me<\/em> (1979)<\/h5>\n\n\n\n<p>Laurent Camatte, Viola (2012)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Episode-sixieme.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><em>Septi\u00e8me \u00e9pisode<\/em> (1984)<\/h5>\n\n\n\n<p>Iv\u00e1n Adriano Zetina R\u00edos, Guitarra el\u00e9ctrica<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-Septieme-Episode-1984.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">Obras vocales<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\"><em>La mayor parte del tiempo I,<\/em> para soprano y piano (1948-1949)<\/h5>\n\n\n\n<p>Poemas de Pierre Reverdy: <br><em>1. Entre dos mundos &#8211; 2. Nacimiento en la tormenta &#8211; 3. Minuto &#8211; 4. Tumulto &#8211; 5. Frente a frente &#8211; 6. Mar fuerte<\/em><br>Klaudia Tandl, soprano, y Gisela J\u00f6bstl, piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-Plupart-du-temps-I-6-melodies.mp3\"><\/audio><\/figure>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-image-fill-element\"><div class=\"wp-block-media-text__content\">\n<h5 class=\"wp-block-heading\"><em>Motete II<\/em> \u2013 Para coro de 12 voces mixtas, oboe bajo solista y orquesta (1965)<\/h5>\n\n\n\n<p>Di\u00e1logo entre la tradici\u00f3n vocal sacra y el lenguaje contempor\u00e1neo.<\/p>\n\n\n\n<p>Grupo vocal de Francia &#8211; Orquesta Filarm\u00f3nica de los Pa\u00edses del Loira &#8211; Claude Bardon, direcci\u00f3n<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-Motet-II-1965.mp3\"><\/audio><\/figure>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"212\" src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-9.png\" alt=\"\" class=\"wp-image-8217 size-full\" style=\"object-position:50% 50%\" srcset=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-9.png 300w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-9-281x199.png 281w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-image-fill-element\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"577\" src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Tableau-illustrant-Mottet-II-de-Betsy-Jolas-1-1024x577.jpg\" alt=\"\" class=\"wp-image-8222 size-full\" style=\"object-position:50% 50%\" srcset=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Tableau-illustrant-Mottet-II-de-Betsy-Jolas-1-1024x577.jpg 1024w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Tableau-illustrant-Mottet-II-de-Betsy-Jolas-1-300x169.jpg 300w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Tableau-illustrant-Mottet-II-de-Betsy-Jolas-1-768x433.jpg 768w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Tableau-illustrant-Mottet-II-de-Betsy-Jolas-1-1536x866.jpg 1536w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Tableau-illustrant-Mottet-II-de-Betsy-Jolas-1-2048x1154.jpg 2048w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Tableau-illustrant-Mottet-II-de-Betsy-Jolas-1-281x158.jpg 281w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><em>Llamo al derrumbe<\/em><br><em>(En su claridad est\u00e1s desnuda)<\/em><br><em>Y la dislocaci\u00f3n del libro<\/em><br><em>Entre el desprendimiento de las piedras.<\/em><\/p>\n\n\n\n<p><em>Duermo para que la sangre que falta en tu tormento, Lucha con los aromas, las retamas, el torrente<\/em><br><em>De mi monta\u00f1a enemiga.<\/em><\/p>\n\n\n\n<p><em>Camino sin cesar.<\/em><\/p>\n\n\n\n<p><em>Camino para alterar algo puro,<\/em><br><em>ese p\u00e1jaro ciego en mi pu\u00f1o<\/em><br><em>o ese rostro demasiado claro que vislumbr\u00e9<\/em><br><em>a una distancia de un tiro de piedra.<\/em><\/p>\n\n\n\n<p><em>Escribo para enterrar mi oro,<\/em><br><em>para cerrar los ojos.<\/em><\/p>\n\n\n\n<p>(Jacques Dupin, \u00ab&nbsp;La soif&nbsp;\u00bb, in <em>Gravir,<\/em> 1963)<\/p>\n<\/div><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><em>Sonata a 12<\/em>, para 12 voces solistas (1970)<\/h5>\n\n\n\n<p>Solistas de los Coros de la ORTF Marcel Couraud, direcci\u00f3n (estreno mundial, abril de 1971)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-Sonate-a-12-1970.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><em>Caprice \u00e0 une voix<\/em>, para voz y piano (1975)<\/h5>\n\n\n\n<p>Christel Nies, Soprano &amp; Hellmuth Vivell, Piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-Caprice-a-une-voix-1975.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">M\u00fasica de c\u00e1mara: Piano y viola<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\"><em>Cuatro d\u00faos<\/em> (1979)<\/h5>\n\n\n\n<p>1. <em>L&rsquo;ardente<\/em> &#8211; 2. <em>L&rsquo;interdite<\/em> &#8211; 3. <em>La toute-vive<\/em> &#8211; 4. <em>La grande Iren\u00e9e<\/em><br>G\u00e9raldine Dutroncy, piano, y Laurent Camatte, viola (2012)<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">1. <em>L&rsquo;ardente<\/em><\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Quatre-duos-Lardente.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\">3. <em>La toute-vive<\/em><\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Quatre-duos-La-toute-vive.mp3\"><\/audio><\/figure>\n\n\n\n<p>Los cuatro d\u00faos encadenados<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-Quatre-duos-1979-enchaines.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">2. <em>L&rsquo;interdite<\/em><\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Quatre-duos-Linterdite.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\">4. <em>La grande Iren\u00e9e<\/em><\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Quatre-duos-La-grande-Irenee.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><em>Ruht wohl<\/em><\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Ruht-wohl.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Obras para conjuntos instrumentales u orquesta<\/em><\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">J. D. E. para 14 instrumentos (1966)<\/h5>\n\n\n\n<p>Conjunto Ars Nova Marius Constant, direcci\u00f3n<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-J.-D.-E.-1966-with-score.mp3\"><\/audio><\/figure>\n\n\n\n<p>T\u00f3mese el tiempo para escuchar esta pieza con los ojos cerrados y luego vuelva a escucharla <a href=\"https:\/\/youtu.be\/Rscp4XhoHwo\"><em>siguiendo la partitura<\/em><\/a>&#8230; \u00a1Buen viaje!<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile\"><div class=\"wp-block-media-text__content\">\n<h5 class=\"wp-block-heading\"><em>D\u2019un op\u00e9ra de voyage<\/em> \/ <em>De una \u00f3pera de viaje<\/em> (1967)<\/h5>\n\n\n\n<p>Orquesta del Domaine musical &#8211; <strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Gilbert_Amy\" target=\"_blank\" rel=\"noreferrer noopener\">Gilbert Amy<\/a><\/em><\/strong>, direcci\u00f3n. Grabaci\u00f3n realizada en 1969.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-JOLAS-Dun-opera-de-voyage-1967.mp3\"><\/audio><\/figure>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"199\" src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-6.png\" alt=\"\" class=\"wp-image-8214 size-full\" srcset=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-6.png 200w, https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/image-6-150x150.png 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/figure><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><a href=\"#Summer-Suite\">* <em>A Little Summer Suite<\/em> (2015)<\/a><\/h5>\n\n\n\n<p>Obra luminosa, accesible, con una orquestaci\u00f3n muy refinada.<br>Orquesta Sinf\u00f3nica de Boston &#8211; Andris Nelsons, direcci\u00f3n<br><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-A-Little-Summer-Suite-2015.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><strong><a href=\"#btune\">* <em>bTunes<\/em> pour orchestre (2021)<\/a><\/strong><\/h5>\n\n\n\n<p>Estreno mundial, 5 de septiembre de 2022, BBC Proms &rsquo;22<br>Nicolas Hodges, piano &#8211; Orquesta Sinf\u00f3nica de la BBC &#8211; Karina Canellakis, direcci\u00f3n<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-bTunes-2021.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\"><em>El rinc\u00f3n de las comparaciones auditivas<\/em><\/h4>\n\n\n\n<p>En lugar de comparar interpretaciones, he elegido deliberadamente una pieza bastante larga para invitarles a dejarse llevar por el piano. \u00a1Pueden incluso escuchar las cuatro versiones seguidas!<\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><em>B for Sonata<\/em> \u2013 para piano (1973)<\/h5>\n\n\n\n<p>Sonata compuesta al regresar de un viaje a Indonesia: \u00a1B de Bali!<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Claude Helffer (1978)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-B-for-Sonata-1973.mp3\"><\/audio><\/figure>\n\n\n\n<p>G\u00e9raldine Dutroncy (2012)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/B-for-Sonata.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Artis Wodehouse (1984)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-B-for-Sonata-Artis-Wodehouse-pianist.mp3\"><\/audio><\/figure>\n\n\n\n<p>James W. Iman (2024)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/B-for-Sonata-1.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/B-for-Sonata-4-versions.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><em>Hommages<\/em><\/h4>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><em>Lassus-Fantaisie : \u00d4 doux parler<\/em> (2016)<\/h5>\n\n\n\n<p>Th\u00e9l\u00e8me \u00b7 XASAX<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Lassus-Fantaisie-O-doux-parler.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><a href=\"#Haydn\">* <em>Ah ! Haydn<\/em> <\/a>(2007) &#8211; Pour trio<\/h5>\n\n\n\n<p>Haydn Trio Eisenstadt (2009)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Ah-Haydn.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><em>Signets, hommage \u00e0 Maurice Ravel<\/em> (1987)<\/h5>\n\n\n\n<p>Bertrand Chamayou, Piano (2025)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Signets-hommage-a-Maurice-Ravel.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><a href=\"#\u00d4-Bach\">* <em>\u00d4 Bach !<\/em> (2007)<\/a><\/h5>\n\n\n\n<p>Katie Leung, Piano (2017)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/NEXTET-Archives-O-Bach-by-Betsy-Jolas-feat.-pianist-Katie-Leung-1_1.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><em>Letters from Bachville<\/em> pour orchestre (2019)<\/h5>\n\n\n\n<p>Boston Symphony Orchestra &#8211; Andris Nelsons, Direction<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-Letters-from-Bachville-2019.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><em>Postlude<\/em> (2005) &#8211; Hommage \u00e0 Claude Helffer<\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-Postlude-Sydney-1_1.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\"><em>El rinc\u00f3n de los pedagogos<\/em><\/h4>\n\n\n\n<p>He aqu\u00ed un art\u00edculo muy interesante extra\u00eddo de la p\u00e1gina web del IRCAM<\/p>\n\n\n\n<p><a href=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Recorrido-por-la-obra-de-Betsy-Jolas-por-Alban-Ramaut.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Recorrido por la obra de Betsy Jolas<\/em><\/strong>, por Alban Ramaut<\/a><\/p>\n\n\n\n<p>Y a continuaci\u00f3n, una entrevista a Betsy Jolas realizada por \u00abLes coulisses de la cr\u00e9ation Mus\u00e9e Sacem\u00bb, en franc\u00e9s.<br><a href=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-Entre-bastidores-de-la-creacion-Museo-Sacem-ES.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><em><a href=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-Les-coulisses-de-la-creation-Musee-Sacem.pdf\"><em><a href=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/Betsy-Jolas-Les-coulisses-de-la-creation-Musee-Sacem.pdf\"><em><strong>Traducci\u00f3n al espa\u00f1ol transcrita &#8211; PDF aqu\u00ed.<\/strong><\/em><\/a><\/em><\/a><\/em><\/a><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2026\/02\/SACEM-Les-coulisses-de-la-creation.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">* Pour en savoir plus&#8230;<\/h3>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" id=\"\u00d4-Bach\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><em>\u00d4 Bach !<\/em> (2007)<\/h5>\n\n\n\n<p><strong><em>\u00d4 Bach !<\/em><\/strong> fue compuesta para el Concurso Long-Thibaud 2007 y se inspira en las primeras notas de la Toccata, BWV 564, de J.S. Bach, que Jolas aprendi\u00f3 durante sus estudios de \u00f3rgano en Estados Unidos. La pieza est\u00e1 construida \u00edntegramente a partir de elementos de esta toccata, pero estos han sido manipulados hasta tal punto que resultan irreconocibles para el oyente.<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" id=\"Haydn\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><em>Ah ! Haydn<\/em> (2007)<\/h5>\n\n\n\n<p>Esta pieza fue escrita con motivo del bicentenario de la muerte de Joseph Haydn (2009) y estrenada el <strong>19 de marzo de 2009<\/strong> en el Auditorio del Louvre de Par\u00eds por el <strong>Haydn Trio Eisenstadt<\/strong>.<br>Di\u00e1logo con la historia, humor sutil, claridad formal.<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" id=\"Summer-Suite\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><em>A Little Summer Suite<\/em> (2015)<\/h5>\n\n\n\n<p>\u00daltimamente, en la mayor\u00eda de mis obras, juego con la noci\u00f3n de \u00abm\u00fasica errante\u00bb, es decir, una m\u00fasica que parece no tener rumbo y que podr\u00eda aterrizar en cualquier lugar, en cualquier momento. Este concepto, inspirado evidentemente en el famoso cuadro expositivo de M\u00fasorgski, es el origen de la estructura en siete movimientos de mi peque\u00f1a suite estival: un paseo en cuatro partes, tituladas \u00ablejos, alrededor, debajo y en casa\u00bb, que conduce a tres momentos claramente identificados y bastante estables, titulados \u00abgolpes y relojes, sacudidas y temblores, cantos y aclamaciones\u00bb.<\/p>\n\n\n\n<p class=\"has-text-align-right\">Betsy Jolas (2016)<\/p>\n<\/blockquote>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" id=\"btune\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><em>bTunes<\/em> (2021)<\/h5>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Con el paso de los a\u00f1os y a medida que envejezco, me sorprendo recordando per\u00edodos cada vez m\u00e1s largos de mi vida que parec\u00edan interminables, remont\u00e1ndome a veces hasta mi primera infancia. Pero hoy me doy cuenta de que esa impresionante visi\u00f3n de conjunto me ha ayudado considerablemente a comprender el mundo en el que vivo hoy, casi un siglo despu\u00e9s.<\/p>\n\n\n\n<p>Hablando principalmente de m\u00fasica, a mis 96 a\u00f1os, soy pr\u00e1cticamente la \u00faltima de mi generaci\u00f3n, ya que la mayor\u00eda de mis grandes colegas, lamentablemente, han dejado este mundo. Tuve la suerte de conocer personalmente a muchos de ellos y hoy en d\u00eda me piden constantemente que \u00abd\u00e9 testimonio\u00bb de los movimientos musicales, ahora hist\u00f3ricos, que muchos de ellos representan. Y, por supuesto, siempre acepto esta tarea, ya que he seguido estas tendencias con mucho inter\u00e9s, guiada como siempre por mi curiosidad natural.<\/p>\n\n\n\n<p>Aunque nunca me convert\u00ed en disc\u00edpula de ninguno de ellos, afortunadamente la vejez no ha disminuido mi curiosidad y todav\u00eda hoy me ayuda a evaluar la situaci\u00f3n. As\u00ed, en los \u00faltimos a\u00f1os he observado que la atenci\u00f3n que la mayor\u00eda de la gente presta a la m\u00fasica ha disminuido considerablemente, hasta alcanzar apenas 10 segundos. Esta observaci\u00f3n se refleja en gran parte de mi m\u00fasica, pero solo, como de costumbre, despu\u00e9s de pasar por lo que yo llamo mi \u00abfiltro personal\u00bb. A continuaci\u00f3n, me gusta encontrar un t\u00edtulo sugerente para ayudar al oyente a orientarse.<\/p>\n\n\n\n<p>Hoy he seguido esta l\u00ednea al elegir el t\u00edtulo de mi nuevo concierto para piano y soy consciente de que el estreno previsto en el famoso festival Proms de Londres de 2022 (que tambi\u00e9n voy a descubrir) ha influido considerablemente en esta b\u00fasqueda.<\/p>\n\n\n\n<p>El t\u00edtulo \u00abbTunes\u00bb que finalmente eleg\u00ed para este concierto est\u00e1 claramente inspirado, incluso en su ortograf\u00eda, en el ya casi hist\u00f3rico \u00abiTunes\u00bb. En su nueva versi\u00f3n, donde \u00abb\u00bb ahora significa Betsy, este t\u00edtulo designa una colecci\u00f3n de piezas cortas escritas a lo largo de los a\u00f1os para diversos pianistas, entre los que se encuentra, por supuesto, Nicolas Hodges. La obra resultante puede considerarse una especie de \u00absuite\u00bb moderna, que evoca la forma en que la mayor\u00eda de la gente escucha la m\u00fasica hoy en d\u00eda: a trav\u00e9s de listas de reproducci\u00f3n.<\/p>\n\n\n\n<p class=\"has-text-align-right\">Betsy Jolas<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Bonus !&#8230;<\/h4>\n\n\n\n<p>En 2013, a sus 88 a\u00f1os, Betsy Jolas segu\u00eda disfrutando acompa\u00f1ando a una cantante en Schumann.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Schumann, Dichterliebe N\u00b0 1\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/LF5l4CK__0M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>Betsy Jolas, compositora franco-estadounidense cuya obra, creativa y profundamente personal, ha marcado el panorama musical del siglo XX y principios del XXI.<\/p>\n","protected":false},"author":1,"featured_media":8218,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"yes","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","footnotes":""},"categories":[109,8],"tags":[],"class_list":["post-8347","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-escuchas","category-ecoutes-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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