{"id":6905,"date":"2025-09-18T01:11:51","date_gmt":"2025-09-17T23:11:51","guid":{"rendered":"https:\/\/pigyki.fr\/?p=6905"},"modified":"2025-09-21T12:58:13","modified_gmt":"2025-09-21T10:58:13","slug":"ecoute-musicale-n71-clara-wieck-schumann","status":"publish","type":"post","link":"https:\/\/pigyki.fr\/index.php\/2025\/09\/18\/ecoute-musicale-n71-clara-wieck-schumann\/","title":{"rendered":"\u00c9coute musicale n\u00b071 Clara Wieck-Schumann"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">Clara Wieck-Schumann (1819-1896)<\/h1>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-image-fill-element\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"1024\" src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-au-piano-755x1024.jpg\" alt=\"\" class=\"wp-image-6906 size-full\" style=\"object-position:80% 51%\" srcset=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-au-piano-755x1024.jpg 755w, https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-au-piano-221x300.jpg 221w, https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-au-piano-768x1042.jpg 768w, https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-au-piano-1133x1536.jpg 1133w, https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-au-piano.jpg 1510w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong><em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Clara_Schumann\" target=\"_blank\" rel=\"noreferrer noopener\">Clara Wieck-Schumann<\/a><\/em><\/strong> est sans doute la femme la plus connue de l&rsquo;histoire de la musique. Pianiste virtuose <strong><em><a href=\"#jeune\">d\u00e8s son plus jeune \u00e2ge *<\/a><\/em><\/strong>, elle rencontra <strong><em><a href=\"https:\/\/pigyki.fr\/index.php\/2024\/05\/20\/ecoute-musicale-n37\/\" target=\"_blank\" rel=\"noreferrer noopener\">Robert Schumann<\/a><\/em><\/strong> alors que celui-ci prenait comme elle des le\u00e7ons de piano avec son p\u00e8re, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Friedrich_Wieck\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Friedrich Wieck<\/em><\/strong><\/a>.<\/p>\n\n\n\n<p>Schumann consid\u00e9rait que son \u00e9pouse, dont il appr\u00e9ciait non seulement les qualit\u00e9s de pianiste et aussi de compositrice, devait cependant avant tout s&rsquo;occuper de leurs 8 enfants (!) et de la maison. \u00c9pouse aimante et soumise, Clara n&rsquo;eut plus de temps pour continuer \u00e0 composer, alors qu&rsquo;elle avait aussi un immense talent.<\/p>\n\n\n\n<p>Voir ci-dessous une <strong><em><a href=\"#biographie\">courte biographie *<\/a><\/em><\/strong>.<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Sa virtuosit\u00e9 en fit la plus grande femme pianiste de l&rsquo;\u00e9poque romantique. Apr\u00e8s la mort de Robert, elle poursuivit ses tourn\u00e9e internationales, ne jouant que les \u0153uvres de son \u00e9poux, celles de <strong><em><a href=\"https:\/\/pigyki.fr\/index.php\/2023\/05\/05\/ecoute-musicale-n9-fr\/\" target=\"_blank\" rel=\"noreferrer noopener\">Johannes Brahms<\/a><\/em><\/strong> dont le couple \u00e9tait tr\u00e8s proche, et celle de <strong><em><a href=\"https:\/\/pigyki.fr\/index.php\/2024\/06\/06\/ecoute-musicale-n38\/\" target=\"_blank\" rel=\"noreferrer noopener\">Franz Liszt<\/a><\/em><\/strong>.<\/p>\n\n\n\n<p>Les compositions pr\u00e9sent\u00e9es ici sont donc toutes des \u0153uvres de jeunesse dont vous pourrez mesurer la haute valeur artistique.<br>Jusqu&rsquo;\u00e0 son mariage \u00e0 21 ans, en 1840, avec Robert Schumann, elle est plus connue que lui comme pianiste virtuose et ses compositions sont \u00e9dit\u00e9e sous son nom de Clara Wieck.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><em>Soir\u00e9es musicales<\/em>, Op. 6 (1836)<\/h5>\n\n\n\n<p>1. Toccata &#8211; 2. Notturno &#8211; 3. Mazurka &#8211; 4. Ballade &#8211; 5. Mazurka &#8211; 6. Polonaise.<br>Jozef De Beenhouwer, Piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-Soirees-musicales-Op.-6.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><em>Concerto<\/em> pour <em>Piano<\/em> en La mineur, Op. 7 (1833-35)<\/h5>\n\n\n\n<p>Compos\u00e9 entre 14 et 16 ans, ce concerto illustre aussi bien le talent de compositrice que sa virtuosit\u00e9 et expression pianistique !<br>I. Allegro maestoso &#8211; Il. Romanze: Andante non troppo con grazia &#8211; III. Finale: Allegro non troppo &#8211; Allegro molto. <br>Alice Burla, Piano &#8211; Schweizer Jugend-Sinfonie-Orchester &#8211; Mario Venzago, Direction<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-Piano-Concerto-in-A-minor-Op.7-Alice-Burla-SJSO.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><em>3 Romances pour piano<\/em> Op. 11 (1839)<\/h5>\n\n\n\n<p><em><abbr title=\"num\u00e9ro\">n<sup>o<\/sup><\/abbr>1 en mib m&nbsp;: Andante<\/em> \/<em>&nbsp;<abbr title=\"num\u00e9ro\">n<sup>o<\/sup><\/abbr>2 en sol m&nbsp;: Andante \u2013 Allegro<\/em> \/<em>&nbsp;<abbr title=\"num\u00e9ro\">n<sup>o<\/sup><\/abbr>3 en la b M&nbsp;: Moderato<\/em><br>Yoshiko Iwai, Piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-3-Romances-for-piano-Op.-11-audio-sheet-music.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><strong><em><a href=\"#lieder-op.13\">6 Lieder, Op. 13 *<\/a><\/em><\/strong><\/h5>\n\n\n\n<p>Anne Wright, Soprano &amp; Kate Stevens, Piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/6-Lieder-Op.-13-Clara-Schumann.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><em>3 Pr\u00e9ludes et Fuge<\/em>s <strong>Op. 16 <\/strong>(1845)<\/h5>\n\n\n\n<p>I. Andante &#8211; Allegro vivace &#8211; II. Allegretto &#8211; Andante &#8211; III. Andante &#8211; Andante con moto <br>Jozef De Beenhouwer, Piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/3-Prelude-Fugue-Op.16.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><em>Piano Trio<\/em> en Sol mineur op 17 (1846)<\/h5>\n\n\n\n<p>1. Allegro moderato 2. Scherzo: Tempo di Menuetto 3. Andante 4. Allegro.<br><em>Beaux Arts Trio<\/em>: Isidor Cohen, Violon &#8211; Bernard Greenhouse, Violoncelle &#8211; Menahem Pressler, Piano.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-Piano-Trio-Beaux-Arts-Trio.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><em>Variations<\/em> sur un th\u00e8me de Robert Schumann <strong>Op. 20<\/strong> (1853)<\/h5>\n\n\n\n<p>Jozef De Beenhouwer, Piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Variations-sur-un-theme-de-Robert-Schumann-Op.20.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><em>Six Lieder sur&nbsp;<\/em>Jucunde&nbsp;de Hermann Rollet&nbsp;Op. 23 (1853)<\/h5>\n\n\n\n<p>I. Was weinst du, Bl\u00fcmlein &#8211; II. An einem lichten Morgen &#8211; III. Geheimes Fl\u00fcstern hier und dort &#8211; IV. Auf einem gr\u00fcnen H\u00fcgel &#8211; V. Das ist ein Tag, der klingen mag &#8211; VI. O Lust, o Lust.<br>Susan Gritton, Soprano &amp; Eugene Asti, Piano (2002)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-6-Lieder-Op.23.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">Le coin des \u00e9coutes comparatives<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\"><em>Variations de Concert<\/em> pour le Pianoforte Op. 8 (1837)<\/h5>\n\n\n\n<p><strong><em>Variations de Concert<\/em><\/strong> pour le Pianoforte Op.8 (1837) sur la <strong><em>Cavatine<\/em><\/strong> tir\u00e9e de <em><strong>Il pirata<\/strong><\/em> (1827) de Vincenzo Bellini : <em>\u201cSventurata, anch\u2019io deliro\u201d<\/em>.<br>Introduction \/ <em>Recitativo<\/em> &#8211; Cavatine \/ <em>Andantino, molto espressivo<\/em> &#8211; Var. I \/ <em>Pi\u00f9 Allegro<\/em> &#8211; Var. II \/ <em>Molto grandioso ma non troppo Allegro<\/em> &#8211; Var. III \/ <em>Brillante<\/em> puis <em>Adagio quasi Fantasia a capriccio<\/em> &#8211; Var. IV \/ <em>Brillante e passionato<\/em> puis <em>Volante<\/em>.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Maria Callas &#8211; Version concert (et courte) de 1959<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Maria-Callas-Il-Pirata-1997-Remastered-Version-ACT-1-Scene-1-Sventurata-anchio-deliro.mp3\"><\/audio><\/figure>\n\n\n\n<p>Marina Rebeka &#8211; Air entier<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Marina-Rebeka-Il-Pirata-Act-I-Sventurata-anchio-delirio.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Th\u00e8me de la Cavatine, au Piano par Jozef De Beenhouwer<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Cavatine-Theme-au-piano.mp3\"><\/audio><\/figure>\n\n\n\n<p>Variations de Concert en entier par Jozef De Beenhouwer<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Wieck-Schumann-Variations-de-concert-Op.-8-1837.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><em>Trois Romances<\/em> pour Piano et Violon Op. 22 (1853)<\/h5>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Clara-Jumi Kang, Violon<br>Yeol Eum Son, Piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Jumi-Kang-C.-Schumann-Three-Romances-for-violin-and-piano-Op.-22.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Janine Jansen, Violin &amp; Piano I. Antonio Pappano II &amp; III. Denis Kozhukhin<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-3-Romances-Op.-22-1853.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Elise Bertrand, Violon <br>Julien Hanck, Piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-3-Romances-for-violin-and-piano-op.-22-Elise-Bertrand-Julien-Hanck.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Gabriel Martins, <strong>Violoncelle<\/strong><br>Joseph Liccardo, Piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-Drei-Romanzen-Op.-22-arr.-for-cello-and-piano.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>C\u00e9line Moinet, <strong>Hautbois<\/strong><br>Reiko Hozu, Piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-Trois-Romances-op.-22-par-Celine-Moinet-et-Reiko-Hozu.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Rogerio Wolf, <strong>Fl\u00fbte<\/strong><br>Zhaolei Xie, piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-Drei-Romanzen-Op.22.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">* Pour en savoir plus&#8230;<\/h3>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" id=\"biographie\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Courte biographie<\/h4>\n\n\n\n<p>On a longtemps pens\u00e9 que les compositions du ph\u00e9nom\u00e9nal Wunderkind (enfant prodige) et de la jeune virtuose du piano Clara Wieck, ainsi que celle de l&rsquo;artiste mature et avant-gardiste Clara Schumann, ne m\u00e9ritaient gu\u00e8re d&rsquo;attention. Ses activit\u00e9s cr\u00e9atives sont pour la plupart difficiles \u00e0 comprendre si elles ne sont pas mises en relation avec son ami, fianc\u00e9 et mari Robert Schumann.<\/p>\n\n\n\n<p>Il serait cependant tr\u00e8s injuste de consid\u00e9rer son \u0153uvre relativement modeste comme un simple \u00e9cho ou reflet peu brillant de la musique de Robert Schumann. Le fait est que Schumann la prenait d\u00e9j\u00e0 au s\u00e9rieux en tant que compositrice \u00e0 part enti\u00e8re lorsqu&rsquo;elle \u00e9tait une jeune fille de douze ans, et bien plus encore lorsqu&rsquo;elle \u00e9tait sa fianc\u00e9e et son \u00e9pouse. Il a stimul\u00e9, inspir\u00e9 et soutenu son travail cr\u00e9atif au mieux de ses capacit\u00e9s.<\/p>\n\n\n\n<p>Clara Schumann est l\u2019une des rares musiciennes de l\u2019\u00e8re romantique, consid\u00e9r\u00e9e comme la pianiste la plus remarquable de son \u00e9poque. Elle est la premi\u00e8re interpr\u00e8te des \u0153uvres de son mari et compositrice de plus de quarante \u0153uvres. Elle influence \u00e9galement consid\u00e9rablement le r\u00e9pertoire du piano et les sensibilit\u00e9s musicales de sa g\u00e9n\u00e9ration.<\/p>\n\n\n\n<p>D\u00e8s son plus jeune \u00e2ge, Clara Schumann est initi\u00e9e \u00e0 la musique par son p\u00e8re. Elle suit des cours de violon, de piano, de chant, de th\u00e9orie, d\u2019harmonie, de composition et de contrepoint. A l\u2019\u00e2ge de neuf ans, elle est invit\u00e9e \u00e0 jouer chez le&nbsp;Dr. Ernst Carus. C\u2019est ici qu\u2019elle rencontre&nbsp;Robert Schumann, avec qui elle se marie. Remarqu\u00e9e par&nbsp;Johann Wolfgang Goethe&nbsp;lors de son premier concert \u00e0 Leipzig, Clara Schumann rencontre par la suite un succ\u00e8s remarquable.<\/p>\n\n\n\n<p>Elle commence en 1830, \u00e0 l\u2019\u00e2ge de onze ans, une tourn\u00e9e musicale en Europe, en direction de Paris. A 18 ans, elle donne de nombreux concerts \u00e0 Vienne qui soul\u00e8vent l\u2019enthousiasme, notamment de la part de&nbsp;Fr\u00e9d\u00e9ric Chopin, qui lui consacre plusieurs articles \u00e9logieux dans des journaux parisiens. Elle est remarqu\u00e9e en particulier pour sa facilit\u00e9 \u00e0&nbsp;jouer de m\u00e9moire, acquise gr\u00e2ce \u00e0 la formation musicale \u00ab \u00e0 l\u2019oreille \u00bb de son p\u00e8re. Elle sera parmi les premiers musiciens \u00e0 inaugurer cette tradition de mani\u00e8re g\u00e9n\u00e9rale dans le monde de la musique.<\/p>\n\n\n\n<p>Non seulement concertiste et compositrice, Clara Schumann fut \u00e9galement une&nbsp;p\u00e9dagogue&nbsp;de grande renomm\u00e9e. Gr\u00e2ce \u00e0 sa carri\u00e8re musicale, Clara Schumann rencontre des compositeurs tels&nbsp;Felix Mendelssohn,&nbsp;Fr\u00e9d\u00e9ric Chopin,&nbsp;Franz Liszt&nbsp;et&nbsp;Johannes Brahms, qui lui t\u00e9moignent une grande admiration.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" id=\"jeune\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">\u0152uvres de jeunesse pour Pianoforte<\/h4>\n\n\n\n<p>Notez que le th\u00e8me de la <em><strong>Romance vari\u00e9e<\/strong><\/em> <strong>Op. 3<\/strong> est repris par Robert Schumann dans ses <strong><em><a href=\"https:\/\/youtu.be\/mdaKAM9Wtuc?si=wPV3TCb5_m4gwsYZ\" target=\"_blank\" rel=\"noreferrer noopener\">Impromptus, Op. 5<\/a><\/em><\/strong>, par Clara Schumann elle-m\u00eame dans son ensemble <strong><em><a href=\"https:\/\/www.youtube.com\/watch?v=kNV9SoztdG4&amp;t=442s\" target=\"_blank\" rel=\"noreferrer noopener\">Variations sur un th\u00e8me de Robert Schumann<\/a><\/em><\/strong>, Op. 20 (7\u00e8me et derni\u00e8re variation) et dans les <strong><em><a href=\"https:\/\/youtu.be\/sVLGC4tE0mw?si=StTlwAj0DycUPlzo\" target=\"_blank\" rel=\"noreferrer noopener\">Variations sur un th\u00e8me de Robert Schumann<\/a><\/em><\/strong>, Op. 9 de Johannes Brahms.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">Op. 1 (1829\/30) &#8211; 10\/11 ans<br><em>4 Polonaises<\/em> <\/h5>\n\n\n\n<p>Susanne Gr\u00fctzmann, Piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-4-Polonaises-Op.-1-audio-sheet-music.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">Op. 2 (1831\/32) &#8211; 12\/13 ans<br><em>9 Caprices en forme de Valse<\/em><\/h5>\n\n\n\n<p>Susanne Gr\u00fctzmann, Piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/02-Clara-Wieke-Schumann-Op-2-Waltz-Caprices-9-for-piano-720p.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">Op. 3 (1833) &#8211; 14 ans<br><em>Romance vari\u00e9e<\/em><\/h5>\n\n\n\n<p>Veronica Jochum, Piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/09\/Clara-Schumann-Romance-variee-Op.-3.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" id=\"lieder-op.13\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong><em>6 Lieder, <\/em>Op. 13<\/strong><\/h5>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=V_qrKo1QbEk&amp;t=80s\">1:20<\/a> &#8211; 1. Ich stand in dunklen Tr\u00e4umen <a href=\"https:\/\/www.youtube.com\/watch?v=V_qrKo1QbEk&amp;t=227s\">3:47<\/a> &#8211; 2. Sie liebten sich beiden <a href=\"https:\/\/www.youtube.com\/watch?v=V_qrKo1QbEk&amp;t=356s\">5:56<\/a> &#8211; 3. Liebeszauber <a href=\"https:\/\/www.youtube.com\/watch?v=V_qrKo1QbEk&amp;t=495s\">8:15<\/a> &#8211; 4. Der Mond kommt still gegangen <a href=\"https:\/\/www.youtube.com\/watch?v=V_qrKo1QbEk&amp;t=625s\">10:25<\/a> &#8211; 5. Ich hab&rsquo; in deinem Auge <a href=\"https:\/\/www.youtube.com\/watch?v=V_qrKo1QbEk&amp;t=748s\">12:28<\/a> &#8211; 6. Die stille Lotosblume<\/p>\n\n\n\n<p>Les <strong><em>6 Lieder, <\/em>Op. 13<\/strong>, de Clara Wieck ont \u00e9t\u00e9 publi\u00e9s en 1844. Ses 10 premi\u00e8res \u0153uvres ont \u00e9t\u00e9 compos\u00e9es avant son mariage avec Robert Schumann et sont toutes des pi\u00e8ces pour piano, mais apr\u00e8s leurs fian\u00e7ailles, elle s&rsquo;est mise \u00e0 exp\u00e9rimenter d&rsquo;autres genres, tels que le lied. Cette s\u00e9rie de lieder comporte des textes introspectifs \u00e9crits par Geibel, R\u00fcckert et Heine qui traitent de la mort et du pass\u00e9 d&rsquo;une mani\u00e8re particuli\u00e8re, o\u00f9 les th\u00e8mes sombres semblent recouverts d&rsquo;un voile charmant (le seul lied \u00ab pleinement joyeux \u00bb est \u00ab Ich hab&rsquo; in deinem Auge \u00bb ; les autres comportent un \u00e9l\u00e9ment pessimiste). Clara utilise la musique pour refl\u00e9ter cette r\u00e9alit\u00e9 : un accompagnement au piano agr\u00e9able et serein, tandis que les paroles \u00e9voquent quelque chose de plus profond.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">Int\u00e9grale de l&rsquo;\u0153uvre de Clara Wieck-Schumann pour Piano par Jozef De Beenhouwer (1990-91)<\/h4>\n\n\n\n<p>Les minutages renvoient \u00e0 la plage correspondante sur YouTube.<\/p>\n\n\n\n<p>Pr\u00e4ludien und Fugen <strong>Op.16 <\/strong>I.Andante &#8211; Allegro vivace \/ G minor (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ\">00:00<\/a>) II.Allegretto &#8211; Andante \/ B-flat Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=208s\">03:28<\/a>) III.Andante &#8211; Andante con moto \/ D minor (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=432s\">07:12<\/a>) <br>Variationen \u00fcber ein Thema von Robert Schumann <strong>Op.20<\/strong> (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=679s\">11:19<\/a>) <br>Trois Romances<strong> Op.11<\/strong> I.Andante \/ E-flat minor (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=1299s\">21:39<\/a>) II.Andante und Allegro \/ G minor (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=1488s\">24:48<\/a>) III.Moderato \/ A-flat Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=1809s\">30:09<\/a>) <br>Romance vari\u00e9e<strong> Op.3<\/strong> (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=2092s\">34:52<\/a>) <br>Caprices en forme de Valse <strong>Op.2<\/strong> I.Allegro moderato \/ C Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=2776s\">46:16<\/a>) II.Allegro moderato \/ D Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=2913s\">48:33<\/a>) III.Andantino \/ E-flat Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=3031s\">50:31<\/a>) IV.Allegro \/ A-flat Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=3153s\">52:33<\/a>) V.Allegretto \/ B-flat Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=3256s\">54:16<\/a>) VI.Allegro risoluto \/ C Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=3380s\">56:20<\/a>) VII.Allegro ma non troppo \/ A-flat Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=3457s\">57:37<\/a>) VIII.Allegro assai \/ E-flat Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=3555s\">59:15<\/a>) IX.Allegretto \/ D-flat Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=3629s\">1:00:29<\/a>) <br>Souvenir de Vienne, Impromptu <strong>Op.9<\/strong> (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=3689s\">1:01:29<\/a>) <br>Valse Romantique <strong>Op.4<\/strong> (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=4066s\">1:07:46<\/a>) <br>Variation de Concert sur Cavatine du Pirate de Bellini <strong>Op.8<\/strong> (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=4516s\">1:15:16<\/a>) <br>4 Polonaises <strong>Op.1<\/strong>I.E-flat Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=5435s\">1:30:35<\/a>) II.C Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=5652s\">1:34:12<\/a>) III.D Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=5826s\">1:37:06<\/a>) IV.C Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=6050s\">1:40:50<\/a>) <br>4 Pi\u00e8ces Caract\u00e9ristiques <strong>Op.5<\/strong> I.Impromptu. Le Sabbat &#8211; Allegro furioso (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=6220s\">1:43:40<\/a>) II.Caprice \u00e0 la Bol\u00e9ro &#8211; Presto (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=6324s\">1:45:24<\/a>) III.Romance &#8211; Andante con sentimento (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=6552s\">1:49:12<\/a>) IV.Sc\u00e8ne Fantastique. Le Ballet des Revenantes Allegro ma non troppo (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=6736s\">1:52:16<\/a>) <br>4 Pi\u00e8ce fugitives <strong>Op.15<\/strong> I.Larghetto \/ F Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=6977s\">1:56:17<\/a>) II.Un poco agitato \/ A minor (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=7138s\">1:58:58<\/a>) III.Andante espressivo \/ D Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=7283s\">2:01:23<\/a>) IV.Scherzo \/ G Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=7579s\">2:06:19<\/a>) <br>3 Fugen \u00fcber Themen von J.S. Bach<strong> <\/strong>I.Fuga a 4 voci \/ E-flat Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=7715s\">2:08:35<\/a>) II.Fuga a 4 voci \/ E Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=7829s\">2:10:29<\/a>) III.Fuga a 4 voci \/ G minor (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=8024s\">2:13:44<\/a>) <br>3 Romanzen <strong>Op.21<\/strong> I.Andante, Sehr innig bewegt, Tempo 1 \/ A minor (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=8197s\">2:16:37<\/a>) II.Allegretto, Sehr zart zu spielen \/ F minor (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=8501s\">2:21:41<\/a>) III.Agitato, Langsamer, Tempo 1 \/ G minor (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=8574s\">2:22:54<\/a>) <br>Sonata in G minor I.Allegro (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=8827s\">2:27:07<\/a>) II.Adagio (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=9328s\">2:35:28<\/a>) III.Scherzo (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=9518s\">2:38:38<\/a>) IV.Rondo (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=9675s\">2:41:15<\/a>) <br>Romanze in B minor (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=10003s\">2:46:43<\/a>) <br>Impromtu in E Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=10331s\">2:52:11<\/a>) <br>Romanze in A minor (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=10476s\">2:54:36<\/a>) <br>Scherzo <strong>Op.10<\/strong> in D minor (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=10768s\">2:59:28<\/a>) <br>Deuxi\u00e8me Scherzo <strong>Op.14<\/strong> in C minor (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=11051s\">3:04:11<\/a>) <br>Pr\u00e3ludium in F minor (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=11300s\">3:08:20<\/a>) <br>Soir\u00e9es Musicales I.Toccatina in A minor &#8211; Presto (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=11403s\">3:10:03<\/a>) II.Notturno in F Major &#8211; Andante con moto (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=11522s\">3:12:02<\/a>) III.Mazurka in G minor &#8211; Moderato (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=11809s\">3:16:49<\/a>) IV.Ballade in D minor &#8211; Andante con moto (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=12026s\">3:20:26<\/a>) V.Mazurka in G Major &#8211; Con moto (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=12394s\">3:26:34<\/a>) VI.Polonaise in A minor &#8211; Non troppo Allegro (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=12539s\">3:28:59<\/a>) Etude in A-flat Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=12761s\">3:32:41<\/a>) March in E-flat Major (<a href=\"https:\/\/www.youtube.com\/watch?v=xhDFHqOLgeQ&amp;t=12873s\">3:34:33<\/a>) <\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>Robert Schumann consid\u00e9rait que son \u00e9pouse Clara, dont il appr\u00e9ciait non seulement les qualit\u00e9s de pianiste et aussi de compositrice, devait cependant avant tout s&rsquo;occuper de leurs 8 enfants (!) et de la maison. \u00c9pouse aimante et soumise, Elle n&rsquo;eut plus de temps pour continuer \u00e0 composer, alors qu&rsquo;elle avait aussi un immense talent&#8230;<\/p>\n","protected":false},"author":1,"featured_media":6907,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"yes","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","footnotes":""},"categories":[99,17],"tags":[],"class_list":["post-6905","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ecoutes-fr-fr","category-ecoutes-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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