{"id":6387,"date":"2025-08-08T20:41:22","date_gmt":"2025-08-08T18:41:22","guid":{"rendered":"https:\/\/pigyki.fr\/?p=6387"},"modified":"2025-08-08T20:41:41","modified_gmt":"2025-08-08T18:41:41","slug":"music-listening-n68-marcelle-de-manziarly","status":"publish","type":"post","link":"https:\/\/pigyki.fr\/index.php\/en\/2025\/08\/08\/music-listening-n68-marcelle-de-manziarly\/","title":{"rendered":"Music listening n\u00b068 Marcelle de Manziarly"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\"><strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Marcelle_de_Manziarly\" target=\"_blank\" rel=\"noreferrer noopener\">Marcelle de Manziarly<\/a><\/em><\/strong> (1899-1989)<\/h1>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-image-fill-element\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/image-683x1024.png\" alt=\"\" class=\"wp-image-6282 size-full\" style=\"object-position:50% 50%\" srcset=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/image-683x1024.png 683w, https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/image-200x300.png 200w, https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/image-768x1152.png 768w, https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/image.png 1024w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Marcelle_de_Manziarly\" target=\"_blank\" rel=\"noreferrer noopener\">Marcelle de Manziarly<\/a><\/em><\/strong>was a composer, choir director, conductor, pianist and music teacher of Russian origin, born in Kharkov, Ukraine (then part of the Russian Empire) in 1899 and died in 1989, aged 89, in Ojai, California (USA). She composed, performed and conducted her own music in France and the United States, among other places, which was quite rare at the time (fortunately, times have changed!). However, she fell into unjustifiable obscurity (a woman in a man&rsquo;s world) given the quality and diversity of her work. Even today, her music is rarely performed or recorded.<br>You will see that we would all benefit from hearing it!<\/p>\n<\/div><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">A few gems to whet your appetite!<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">Vocal works<\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Manziarly-Musique-vocale.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><em>Sonata for 2 Pianos<\/em><\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Marcelle-de-Manziarly-Sonate-pour-2-pianos-1968.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><em>Trio for Violin, Cello &amp; Piano<\/em><\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Manziarly-Trio-les-4-Mvts.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\">2 playlists for uninterrupted listening\u2026<\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Manziarly-Playlist.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Manziarly-Playlist-2-1.mp3\"><\/audio><\/figure>\n\n\n\n<h6 class=\"wp-block-heading\"><em>Riddles<\/em><\/h6>\n\n\n\n<p>If you feel like it, you can leave a comment telling us which songs are included and in what order (they are all listed in the article)!<br>Of course, you&rsquo;ll need to have listened to the whole thing first\u2026 \ud83d\ude09<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong><em><a href=\"#r\u00e9ponses\">*** Answers at the bottom\u2026<\/a><\/em><\/strong><\/p>\n\n\n\n<p style=\"text-transform:none\">Titles followed by * have a link to \u00ab\u00a0* The comparative listening corner\u00a0\u00bb.<br>Titles followed by ** have a link to \u00ab\u00a0** For more information\u2026\u00a0\u00bb.<br>Titles followed by <strong>* <\/strong>have a link to <strong>\u00ab\u00a0<\/strong>* Answers to the riddles\u00a0\u00bb.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Sonata for violin and piano<\/em> (1918)<\/h4>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>I. Moderate, very simple and expressive<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Violin-Sonata-I.-Modere-tres-simple-et-expressif.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>II. Slow and solemn<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Violin-Sonata-II.-Lent-et-grave.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>III. Tumultuous<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Violin-Sonata-III.-Tumultueux.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>When you hear this sonata, composed at the age of 19, you regret that his String Quartet, from the same year, has not yet been recorded\u2026<br>By Cecilia Zilliacus, violin, and Bengt Forsberg, piano. Below are the three movements played consecutively.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Violon-Sonata-les-3-mvts.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Three Slavonic Atmospheres<\/em>, for Piano (1920)<\/h4>\n\n\n\n<p>By Francis Para\u00efso, Piano.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Atmosphere-slave-pour-piano.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Piano Trio<\/em> (1921)<\/h4>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>I. Serious, harsh, without slowness<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Piano-Trio-I.-Grave-rude-sans-lenteur.mp3\"><\/audio><\/figure>\n\n\n\n<p>III. Without too much delay<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Piano-Trio-III.-Sans-trop-de-lenteur.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>II. Quick<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Piano-Trio-II.-Rapide.mp3\"><\/audio><\/figure>\n\n\n\n<p>IV. Rough, fairly quickly<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Piano-Trio-IV.-Rude-assez-vite.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>The 4 Movements linked together, by the same performers:<br>Cecilia Zilliacus, violin \u00b7 Kati Raitinen, cello \u00b7 Bengt Forsberg, piano (2024)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Manziarly-Trio-les-4-Mvts.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\"><strong><em><a href=\"#impressions\">Impressions of the sea *<\/a><\/em><\/strong> (1922)<\/h4>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">No. 1 &#8211; The seaside strike<\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Impressions-de-mer-No.-1-La-greve.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">No. 2 &#8211; On a grey day<\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Impressions-de-mer-No.-2-Par-une-journee-grise.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">No. 3 &#8211; On a clear day<\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Impressions-de-mer-No.-3-Par-une-journee-claire.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>By Janice Weber, Piano.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Three Fables by La Fontaine<\/em> (1935)<\/h4>\n\n\n\n<p>By <strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Hugues_Cu%C3%A9nod\" target=\"_blank\" rel=\"noreferrer noopener\">Hugues Cuenod<\/a><\/em><\/strong>, Tenor &amp; <strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Geoffrey_Parsons_(pianist)\" target=\"_blank\" rel=\"noreferrer noopener\">Geoffrey Parsons<\/a><\/em><\/strong>, Piano.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Manziarly-Trois-Fables.mp3\"><\/audio><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><em>I. The Cicada and the Ant<\/em><\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Trois-Fables-de-la-Fontaine-I.-Le-Cigale-et-la-Fourmi.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><strong><em><a href=\"#oiseau\">II. The Bird Wounded by an Arrow *<\/a><\/em><\/strong><\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Trois-Fables-de-la-Fontaine-II.-LOiseau-blesse-dune-fleche.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><em>III. The Frog Who Wanted to Be as Big as the Ox<\/em><\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Trois-Fables-de-la-Fontaine-III.-La-Grenouille-qui-veut-se-faire-aussi-grosse-que-le-Boef.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Poems in Trio<\/em> (1940)<\/h4>\n\n\n\n<p>Poems of <strong>Louise de Vilmorin<\/strong>, excerpts from the collection: <em>\u00ab\u00a0Fian\u00e7ailles pour rire\u00a0\u00bb<\/em> (1939) : <br>I. <strong><em><a href=\"#amour\">Love **<\/a><\/em><\/strong> &amp; II. <a href=\"#porte\"><strong><em>On the other side of my door **<\/em><\/strong><\/a> (the first two in a series of six)<br>by Agathe Peyrat, soprano Fiona McGown, mezzo-soprano Marielou Jacquard, mezzo-soprano (Royaumont Abbey &#8211; 2023)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Marcelle-de-Manziarly-Poemes-en-trio-A.-Peyrat-F.-McGown-M.-Jacquard.mp3\"><\/audio><\/figure>\n\n\n\n<p>I extracted these two Trio Poems from Marcelle de Manziarly&rsquo;s portrait by <strong><em><a href=\"https:\/\/citedescompositrices.com\/la-boite-a-pepites\/\" target=\"_blank\" rel=\"noreferrer noopener\">La Boite \u00e0 P\u00e9pites<\/a><\/em><\/strong>, a wonderful series dedicated to female composers that I highly recommend! <\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\"><em><strong><a href=\"#nocturne\">Nocturnal *<\/a><\/strong> excerpt from 6 studies for piano<\/em> (1940)<\/h4>\n\n\n\n<p>by Francis Para\u00efso, piano.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Nocturne-Etude-pour-piano.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Sonata for 2 pianos<\/em>(1946)<\/h4>\n\n\n\n<p>By Ariane JACOB and Fran\u00e7ois HENRY on pianos.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Marcelle-de-Manziarly-Sonate-pour-2-pianos-1968.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Dialogue between two people for Cello and Piano<\/em> (1970)<\/h4>\n\n\n\n<p>By Kati Raitinen, cello, and Peter Friis Johansson, piano.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Dialogue.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\"><em>3-way dialogue for violin, cello and piano<\/em> (1977)<\/h4>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><em>I. Foreword<\/em><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Trilogue-I.-Prologue.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><em>II. Pre\u0301monition<\/em><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Trilogue-II.-Premonition.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><em>III. Afterword<\/em><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Trilogue-III.-Epilogue.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>By Cecilia Zilliacus, violin \u00b7 Kati Raitinen, cello \u00b7 Bengt Forsberg, piano. Below are the three movements played consecutively.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Trilogue-les-3-mvts.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" id=\"oiseau\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-right\">The comparative listening corner<\/h2>\n\n\n\n<h6 class=\"wp-block-heading\"><em>II. The Bird Wounded by an Arrow<\/em><\/h6>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>By <strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Hugues_Cu%C3%A9nod\" target=\"_blank\" rel=\"noreferrer noopener\">Hugues Cuenod<\/a><\/em><\/strong>, Tenor &amp; <strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Geoffrey_Parsons_(pianist)\" target=\"_blank\" rel=\"noreferrer noopener\">Geoffrey Parsons<\/a><\/em><\/strong>, Piano.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Trois-Fables-de-la-Fontaine-II.-LOiseau-blesse-dune-fleche.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Another version by Marie Therese Holley, soprano, and an instrumental ensemble conducted by <strong><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Nadia_Boulanger\" target=\"_blank\" rel=\"noreferrer noopener\">Nadia Boulanger.<\/a><\/em><\/strong> (19&#8230; ?)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Manziarly-Dir-By-N-Boulanger.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" id=\"impressions\"\/>\n\n\n\n<h6 class=\"wp-block-heading\"><em><strong><em>Impressions of the sea<\/em><\/strong><\/em> (1922)<\/h6>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>By Janice Weber, Piano.<br>The three linked pieces:<br>The Strike &#8211; On a Grey Day &#8211; On a Clear Day.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Manziarly-Impressions-de-mer-Piano.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Aux Marimbas, by Duo Contact \/\/ Th\u00e9o Lamp\u00e9rier and Pierre Tomassi &#8211; With a thought for Lucas Duclaux-Loras, I am always impressed by the 4-mallet playing on the marimbas. <strong><em><a href=\"https:\/\/youtu.be\/usS7FI66p_Y?si=3nLJAJPuI-hUgnKQ\" target=\"_blank\" rel=\"noreferrer noopener\">Watch the video<\/a><\/em><\/strong> !<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Impressions-de-Mer-Marcelle-de-Manziarly-Duo-Contact.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" id=\"nocturne\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h6 class=\"wp-block-heading\"><em>Nocturnal, <\/em>excerpt from 6 studies for piano (1940)<\/h6>\n\n\n\n<p>By Francis Para\u00efso, Piano.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Nocturne-Etude-pour-piano.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h6 class=\"wp-block-heading\"><em>Nocturnal for Violin and Piano<\/em> (1940)<\/h6>\n\n\n\n<p>Cecilia Zilliacus, violin, and Bengt Forsberg, piano.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Nocturne.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">** For more information\u2026<\/h2>\n\n\n\n<p>I couldn&rsquo;t describe this wonderful CD any better than Jean-Marc Petit. So I&rsquo;m reproducing his review in full below.<br>I recommend buying this sublime CD from start to finish (around \u20ac22), if not for yourself, then to give to your loved ones (Christmas is only six months away\u2026)!<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading has-text-align-center\">Marcelle de Manziarly<\/h2>\n\n\n\n<p class=\"has-text-align-center\">21 November 2024 by Jean-Marc Petit<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><a href=\"https:\/\/www.resmusica.com\/recompenses\/clef-or\"><img decoding=\"async\" src=\"https:\/\/www.resmusica.com\/wp-content\/themes\/resmusica\/images\/recompenses\/article-clef-or.png\" alt=\"Les Clefs d'or\"\/><\/a><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<p><strong>A talented team of Swedish musicians introduces us to the fascinating chamber music of composer Marcelle de Manziarly (1899-1989), a brilliant student of Nadia Boulanger. A revelation.<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright\"><a href=\"https:\/\/www.resmusica.com\/wp-content\/uploads\/2024\/11\/marcele-de-manziarly.jpg\"><img decoding=\"async\" src=\"https:\/\/www.resmusica.com\/wp-content\/uploads\/2024\/11\/marcele-de-manziarly-380x380.jpg\" alt=\"\" class=\"wp-image-343316\"\/><\/a><\/figure>\n<\/div>\n\n\n<p>How could such music have lain dormant for so long in the dust of music libraries? Composer, conductor, pianist and teacher, Marcelle de Manziarly (1899-1989) enjoyed a certain degree of fame between the First and Second World Wars, before leaving for the United States and returning to France once peace had been restored.&nbsp;Marcelle de Manziarly then divided her time between the two countries, and it was in the United States that she died in 1989.<\/p>\n\n\n\n<p>This brilliant student of Nadia Boulanger was nevertheless part of a cohort of female composers active in France in the early 20th century who are only now being rediscovered, thanks in particular to the remarkable work of labels such as La Bo\u00eete \u00e0 p\u00e9pites: Jeanne Leleu, Rita Strohl, and of course Lili Boulanger, among others.<\/p>\n\n\n\n<p>However, it is not a French label, but a Swedish one, Bis, which, to our knowledge, is offering the first recording dedicated to the chamber music of Marcelle de Manziarly. And it is a shock.<\/p>\n\n\n\n<p>This composer, whose works span more than six decades, offers a diverse and exciting sound world. A whole universe separates the Sonata for Violin and Piano of 1918 from the Trilogue of 1977. But the intensity of Marcelle de Manziarly&rsquo;s music remains intact.<\/p>\n\n\n\n<p>The performers, violinist Cecilia Zilliacus, cellist Kati Raitinen, and pianists Bengt Forsberg and Peter Friis Johansson, have put their heart and soul into this recording. And with good reason.<\/p>\n\n\n\n<p>The album opens with a masterpiece, the Piano Trio from 1921. Marcelle de Manziarly was still at the beginning of her career, but her personality was already well established. The \u00ab\u00a0Grave, rude, sans lenteur\u00a0\u00bb that opens the work with such force is a constantly changing piece, both in its rhythms and its timbres. The \u00ab\u00a0ringing\u00a0\u00bb and \u00ab\u00a0batteries\u00a0\u00bb of bells on the piano are reminiscent of Ravel. A whole world of mystery opens up to us and continues throughout the work. Whether in the playful but anxious dance of the Scherzo or the discreet dissonances of the third movement, \u00ab\u00a0Sans trop de lenteur\u00a0\u00bb (Without too much slowness), before the relentless final \u00ab\u00a0Rude\u00a0\u00bb.<\/p>\n\n\n\n<p>A completely different sound world emerges with the 1970 Dialogue for cello and piano, which is stripped down and more dissonant. The instrumentalists first respond to each other through short minimalist sequences, almost like the static world of Morton Feldman, before gradually coming to life in a breathless chase.<br>The 1918 Sonata for Violin and Piano marks a return to modality and the shimmering \u00ab\u00a0turn of the century\u00a0\u00bb style. Once again, Marcelle de Manziarly offers us luminous music, at times elegiac, both serene and anguished, without any affectation.<\/p>\n\n\n\n<p>The disc ends with the mysterious Trilogue for violin, cello and piano from 1977. Influenced by her stay in the United States, Marcelle de Manziarly returns to the minimalist and dissonant vein of Dialogue for cello and piano. But the music never falls into artifice or dryness. Everything here is life, excitement and subtlety.<\/p>\n\n\n\n<p>The Swedish musicians perform these fascinating pieces with passion, balance and precision. Which orchestra will now dare to revive Marcelle de Manziarly&rsquo;s symphonic works?<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" id=\"amour\"\/>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile is-image-fill-element\"><div class=\"wp-block-media-text__content\">\n<h5 class=\"wp-block-heading\"><strong><em>Love<\/em><\/strong><\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Marcelle-de-Manziarly-Poemes-en-trio-n\u00b01.mp3\"><\/audio><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Une petite plage o\u00f9 l\u2019on ne rit pas<br>O\u00f9 personne ne passe :<br>C\u2019est l\u2019amour.<\/p>\n\n\n\n<p>L\u2019ombre non plus n\u2019y chasse<br>De bras en bras<br>Un autre jour.<\/p>\n\n\n\n<p>Pas de fausses m\u00e9sanges<br>Mais au loin<br>Une petite \u00eele<\/p>\n\n\n\n<p>Comme une meule de foin,<br>Et sous l\u2019aile d\u2019un ange<br>Deux anges immobiles.<\/p>\n<\/div>\n<\/div>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/image-1-683x1024.png\" alt=\"\" class=\"wp-image-6294 size-full\" style=\"object-position:50% 50%\" srcset=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/image-1-683x1024.png 683w, https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/image-1-200x300.png 200w, https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/image-1-768x1152.png 768w, https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/image-1.png 1024w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" id=\"porte\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><strong><em>On the other side of my door<\/em><\/strong><\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/Marcelle-de-Manziarly-Poemes-en-trio-n\u00b02.mp3\"><\/audio><\/figure>\n\n\n\n<p>My fear, my little gooseberry,<br>Love is a bee<br>That eats my heart<br>And buzzes at my mouth<br>That you feed and touch<br>With kisses of misfortune.<\/p>\n\n\n\n<p>My angel without ears,<br>My fear, my gooseberry,<br>Will you never come<br>To the other side of my door?<br>Are you one of those<br>Deaf and mute angels?<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Your hands, unblemished, polished<br>By your playful antics,<br>Are wet with my tears,<br>And you laugh at these rivers<br>Where my wishes sail<br>Among your new dresses.<\/p>\n\n\n\n<p>Will you give me<br>Only your pointed hat<br>To wear, my witch,<br>And no other kiss<br>Than these nests of danger<br>And these entire beehives?<\/p>\n\n\n\n<p>Will you not allow me<br>To remove your stockings<br>Behind my door?<br>I want to see your bare feet<br>And the dead bees<br>Of happiness returned.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>My angel without ears,<br>My blue fear, my redcurrant<br>Resting on my desires,<br>My room is wide open<br>Cut off by the green alley<br>Where you must come from.<\/p>\n\n\n\n<p>My blue fear, my redcurrant,<br>Come to the edge of my waking hours<br>And let the day fall<br>On the other side of my door.<br>And let the wind carry away<br>The way back home.<br><em><br>1939<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" id=\"r\u00e9ponses\"\/>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>*** Answers to the riddles:<br><\/em>Playlist 1:<\/strong> 2 Poems in Trio \/ 3 Fables by La Fontaine \/ 3 Impressions of the Sea \/ Piano Trio (4 movements) \/ Nocturne for Violin and Piano \/ Dialogue for Cello and Piano.<br><strong>Playlist 2:<\/strong> Sonata for Violin and Piano (3 movements) \/ Slavic Atmospheres for Piano \/ Sonata for 2 Pianos \/ Trilogue for Violin, Cello and Piano (3 parts).<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marcelle de Manziarly (1899-1989) is a composer, choir and orchestra conductor, pianist and music teacher of French origin with Russian roots.<\/p>\n","protected":false},"author":1,"featured_media":6341,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"yes","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","footnotes":""},"categories":[246,177],"tags":[],"class_list":["post-6387","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ecoutes-fr-fr-en","category-non-classe-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Music listening n\u00b068 Marcelle de Manziarly - Pigyki<\/title>\n<meta name=\"description\" content=\"Marcelle de Manziarly is a composer, choir and orchestra conductor, pianist and music teacher of French origin with Russian roots.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pigyki.fr\/index.php\/en\/2025\/08\/08\/music-listening-n68-marcelle-de-manziarly\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Music listening n\u00b068 Marcelle de Manziarly - Pigyki\" \/>\n<meta property=\"og:description\" content=\"Marcelle de Manziarly is a composer, choir and orchestra conductor, pianist and music teacher of French origin with Russian roots.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/pigyki.fr\/index.php\/en\/2025\/08\/08\/music-listening-n68-marcelle-de-manziarly\/\" \/>\n<meta property=\"og:site_name\" content=\"Pigyki\" \/>\n<meta property=\"article:published_time\" content=\"2025-08-08T18:41:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-08T18:41:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/image-2-e1754489698317-864x1024.png\" \/>\n\t<meta property=\"og:image:width\" content=\"864\" \/>\n\t<meta property=\"og:image:height\" content=\"1024\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Pigyki\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Pigyki\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/pigyki.fr\\\/index.php\\\/en\\\/2025\\\/08\\\/08\\\/music-listening-n68-marcelle-de-manziarly\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/pigyki.fr\\\/index.php\\\/en\\\/2025\\\/08\\\/08\\\/music-listening-n68-marcelle-de-manziarly\\\/\"},\"author\":{\"name\":\"Pigyki\",\"@id\":\"https:\\\/\\\/pigyki.fr\\\/#\\\/schema\\\/person\\\/69b76bc8a17bddaf3ffd40d3cc9a4161\"},\"headline\":\"Music listening n\u00b068 Marcelle de Manziarly\",\"datePublished\":\"2025-08-08T18:41:22+00:00\",\"dateModified\":\"2025-08-08T18:41:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/pigyki.fr\\\/index.php\\\/en\\\/2025\\\/08\\\/08\\\/music-listening-n68-marcelle-de-manziarly\\\/\"},\"wordCount\":1520,\"publisher\":{\"@id\":\"https:\\\/\\\/pigyki.fr\\\/#\\\/schema\\\/person\\\/69b76bc8a17bddaf3ffd40d3cc9a4161\"},\"image\":{\"@id\":\"https:\\\/\\\/pigyki.fr\\\/index.php\\\/en\\\/2025\\\/08\\\/08\\\/music-listening-n68-marcelle-de-manziarly\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/pigyki.fr\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/image-2-e1754489698317.png\",\"articleSection\":[\"\u00c9coutes\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/pigyki.fr\\\/index.php\\\/en\\\/2025\\\/08\\\/08\\\/music-listening-n68-marcelle-de-manziarly\\\/\",\"url\":\"https:\\\/\\\/pigyki.fr\\\/index.php\\\/en\\\/2025\\\/08\\\/08\\\/music-listening-n68-marcelle-de-manziarly\\\/\",\"name\":\"Music listening n\u00b068 Marcelle de Manziarly - Pigyki\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/pigyki.fr\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/pigyki.fr\\\/index.php\\\/en\\\/2025\\\/08\\\/08\\\/music-listening-n68-marcelle-de-manziarly\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/pigyki.fr\\\/index.php\\\/en\\\/2025\\\/08\\\/08\\\/music-listening-n68-marcelle-de-manziarly\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/pigyki.fr\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/image-2-e1754489698317.png\",\"datePublished\":\"2025-08-08T18:41:22+00:00\",\"dateModified\":\"2025-08-08T18:41:41+00:00\",\"description\":\"Marcelle de Manziarly is a composer, choir and orchestra conductor, pianist and music teacher of French origin with Russian roots.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/pigyki.fr\\\/index.php\\\/en\\\/2025\\\/08\\\/08\\\/music-listening-n68-marcelle-de-manziarly\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/pigyki.fr\\\/index.php\\\/en\\\/2025\\\/08\\\/08\\\/music-listening-n68-marcelle-de-manziarly\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/pigyki.fr\\\/index.php\\\/en\\\/2025\\\/08\\\/08\\\/music-listening-n68-marcelle-de-manziarly\\\/#primaryimage\",\"url\":\"https:\\\/\\\/pigyki.fr\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/image-2-e1754489698317.png\",\"contentUrl\":\"https:\\\/\\\/pigyki.fr\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/image-2-e1754489698317.png\",\"width\":1024,\"height\":1213},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/pigyki.fr\\\/index.php\\\/en\\\/2025\\\/08\\\/08\\\/music-listening-n68-marcelle-de-manziarly\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/pigyki.fr\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Music listening n\u00b068 Marcelle de Manziarly\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/pigyki.fr\\\/#website\",\"url\":\"https:\\\/\\\/pigyki.fr\\\/\",\"name\":\"Pigyki\",\"description\":\"C.L. al fine\",\"publisher\":{\"@id\":\"https:\\\/\\\/pigyki.fr\\\/#\\\/schema\\\/person\\\/69b76bc8a17bddaf3ffd40d3cc9a4161\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/pigyki.fr\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\\\/\\\/pigyki.fr\\\/#\\\/schema\\\/person\\\/69b76bc8a17bddaf3ffd40d3cc9a4161\",\"name\":\"Pigyki\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/pigyki.fr\\\/wp-content\\\/uploads\\\/2023\\\/06\\\/Logo-CL.jpg\",\"url\":\"https:\\\/\\\/pigyki.fr\\\/wp-content\\\/uploads\\\/2023\\\/06\\\/Logo-CL.jpg\",\"contentUrl\":\"https:\\\/\\\/pigyki.fr\\\/wp-content\\\/uploads\\\/2023\\\/06\\\/Logo-CL.jpg\",\"width\":524,\"height\":586,\"caption\":\"Pigyki\"},\"logo\":{\"@id\":\"https:\\\/\\\/pigyki.fr\\\/wp-content\\\/uploads\\\/2023\\\/06\\\/Logo-CL.jpg\"},\"sameAs\":[\"http:\\\/\\\/pigyki.fr\"],\"url\":\"https:\\\/\\\/pigyki.fr\\\/index.php\\\/author\\\/admin4451\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Music listening n\u00b068 Marcelle de Manziarly - Pigyki","description":"Marcelle de Manziarly is a composer, choir and orchestra conductor, pianist and music teacher of French origin with Russian roots.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/pigyki.fr\/index.php\/en\/2025\/08\/08\/music-listening-n68-marcelle-de-manziarly\/","og_locale":"fr_FR","og_type":"article","og_title":"Music listening n\u00b068 Marcelle de Manziarly - Pigyki","og_description":"Marcelle de Manziarly is a composer, choir and orchestra conductor, pianist and music teacher of French origin with Russian roots.","og_url":"https:\/\/pigyki.fr\/index.php\/en\/2025\/08\/08\/music-listening-n68-marcelle-de-manziarly\/","og_site_name":"Pigyki","article_published_time":"2025-08-08T18:41:22+00:00","article_modified_time":"2025-08-08T18:41:41+00:00","og_image":[{"width":864,"height":1024,"url":"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/image-2-e1754489698317-864x1024.png","type":"image\/png"}],"author":"Pigyki","twitter_card":"summary_large_image","twitter_misc":{"\u00c9crit par":"Pigyki","Dur\u00e9e de lecture estim\u00e9e":"10 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/pigyki.fr\/index.php\/en\/2025\/08\/08\/music-listening-n68-marcelle-de-manziarly\/#article","isPartOf":{"@id":"https:\/\/pigyki.fr\/index.php\/en\/2025\/08\/08\/music-listening-n68-marcelle-de-manziarly\/"},"author":{"name":"Pigyki","@id":"https:\/\/pigyki.fr\/#\/schema\/person\/69b76bc8a17bddaf3ffd40d3cc9a4161"},"headline":"Music listening n\u00b068 Marcelle de Manziarly","datePublished":"2025-08-08T18:41:22+00:00","dateModified":"2025-08-08T18:41:41+00:00","mainEntityOfPage":{"@id":"https:\/\/pigyki.fr\/index.php\/en\/2025\/08\/08\/music-listening-n68-marcelle-de-manziarly\/"},"wordCount":1520,"publisher":{"@id":"https:\/\/pigyki.fr\/#\/schema\/person\/69b76bc8a17bddaf3ffd40d3cc9a4161"},"image":{"@id":"https:\/\/pigyki.fr\/index.php\/en\/2025\/08\/08\/music-listening-n68-marcelle-de-manziarly\/#primaryimage"},"thumbnailUrl":"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/image-2-e1754489698317.png","articleSection":["\u00c9coutes"],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/pigyki.fr\/index.php\/en\/2025\/08\/08\/music-listening-n68-marcelle-de-manziarly\/","url":"https:\/\/pigyki.fr\/index.php\/en\/2025\/08\/08\/music-listening-n68-marcelle-de-manziarly\/","name":"Music listening n\u00b068 Marcelle de Manziarly - Pigyki","isPartOf":{"@id":"https:\/\/pigyki.fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/pigyki.fr\/index.php\/en\/2025\/08\/08\/music-listening-n68-marcelle-de-manziarly\/#primaryimage"},"image":{"@id":"https:\/\/pigyki.fr\/index.php\/en\/2025\/08\/08\/music-listening-n68-marcelle-de-manziarly\/#primaryimage"},"thumbnailUrl":"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/image-2-e1754489698317.png","datePublished":"2025-08-08T18:41:22+00:00","dateModified":"2025-08-08T18:41:41+00:00","description":"Marcelle de Manziarly is a composer, choir and orchestra conductor, pianist and music teacher of French origin with Russian roots.","breadcrumb":{"@id":"https:\/\/pigyki.fr\/index.php\/en\/2025\/08\/08\/music-listening-n68-marcelle-de-manziarly\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/pigyki.fr\/index.php\/en\/2025\/08\/08\/music-listening-n68-marcelle-de-manziarly\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/pigyki.fr\/index.php\/en\/2025\/08\/08\/music-listening-n68-marcelle-de-manziarly\/#primaryimage","url":"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/image-2-e1754489698317.png","contentUrl":"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/08\/image-2-e1754489698317.png","width":1024,"height":1213},{"@type":"BreadcrumbList","@id":"https:\/\/pigyki.fr\/index.php\/en\/2025\/08\/08\/music-listening-n68-marcelle-de-manziarly\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/pigyki.fr\/"},{"@type":"ListItem","position":2,"name":"Music listening n\u00b068 Marcelle de Manziarly"}]},{"@type":"WebSite","@id":"https:\/\/pigyki.fr\/#website","url":"https:\/\/pigyki.fr\/","name":"Pigyki","description":"C.L. al fine","publisher":{"@id":"https:\/\/pigyki.fr\/#\/schema\/person\/69b76bc8a17bddaf3ffd40d3cc9a4161"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/pigyki.fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":["Person","Organization"],"@id":"https:\/\/pigyki.fr\/#\/schema\/person\/69b76bc8a17bddaf3ffd40d3cc9a4161","name":"Pigyki","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/pigyki.fr\/wp-content\/uploads\/2023\/06\/Logo-CL.jpg","url":"https:\/\/pigyki.fr\/wp-content\/uploads\/2023\/06\/Logo-CL.jpg","contentUrl":"https:\/\/pigyki.fr\/wp-content\/uploads\/2023\/06\/Logo-CL.jpg","width":524,"height":586,"caption":"Pigyki"},"logo":{"@id":"https:\/\/pigyki.fr\/wp-content\/uploads\/2023\/06\/Logo-CL.jpg"},"sameAs":["http:\/\/pigyki.fr"],"url":"https:\/\/pigyki.fr\/index.php\/author\/admin4451\/"}]}},"_links":{"self":[{"href":"https:\/\/pigyki.fr\/index.php\/wp-json\/wp\/v2\/posts\/6387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pigyki.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pigyki.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pigyki.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pigyki.fr\/index.php\/wp-json\/wp\/v2\/comments?post=6387"}],"version-history":[{"count":4,"href":"https:\/\/pigyki.fr\/index.php\/wp-json\/wp\/v2\/posts\/6387\/revisions"}],"predecessor-version":[{"id":6391,"href":"https:\/\/pigyki.fr\/index.php\/wp-json\/wp\/v2\/posts\/6387\/revisions\/6391"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pigyki.fr\/index.php\/wp-json\/wp\/v2\/media\/6341"}],"wp:attachment":[{"href":"https:\/\/pigyki.fr\/index.php\/wp-json\/wp\/v2\/media?parent=6387"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pigyki.fr\/index.php\/wp-json\/wp\/v2\/categories?post=6387"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pigyki.fr\/index.php\/wp-json\/wp\/v2\/tags?post=6387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}