{"id":5940,"date":"2025-07-17T01:20:03","date_gmt":"2025-07-16T23:20:03","guid":{"rendered":"https:\/\/pigyki.fr\/?p=5940"},"modified":"2025-07-17T18:08:53","modified_gmt":"2025-07-17T16:08:53","slug":"escolta-musical-num-66-pierre-schaeffer","status":"publish","type":"post","link":"https:\/\/pigyki.fr\/index.php\/ca\/2025\/07\/17\/escolta-musical-num-66-pierre-schaeffer\/","title":{"rendered":"Escolta musical n\u00fam. 66  Pierre Schaeffer"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">Pierre Schaeffer (1910-1995): el pare de la m\u00fasica concreta.<\/h1>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-text-align-center\">\u201cEscoltar \u00e9s prestar atenci\u00f3 a tot el que sona.\u201d<br><strong>Pierre Schaeffer<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p>Amb <strong><em><a href=\"https:\/\/ca.wikipedia.org\/wiki\/Pierre_Schaeffer\" target=\"_blank\" rel=\"noreferrer noopener\">Pierre Schaeffer<\/a><\/em><\/strong> , el tren que passa, el fregad\u00eds del paper, el soroll del vent esdevenen una mat\u00e8ria sonora, una invitaci\u00f3 a escoltar d\u2019una altra manera.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Abans que res, he de desfer un equ\u00edvoc en el qual jo mateix havia caigut: la m\u00fasica concreta no es realitza en directe amb objectes quotidians, o eines, desviades del seu \u00fas per organitzar-les i realitzar un discurs musical.<\/p>\n\n\n\n<p>Aquests objectes s\u00f3n enregistrats, despr\u00e9s treballats, disseccionats en laboratori, per constituir una base de \u201c<strong>objectes sonors<\/strong>\u201d utilitzats despr\u00e9s en composicions musicals. Aquestes primeres recerques tenien com a origen cossos sonors \u201cconcrets\u201d rics en vibracions d\u2019origen ac\u00fastic. Nom\u00e9s alguns anys m\u00e9s tard es van afegir sons d\u2019origen electroac\u00fastic.<\/p>\n\n\n\n<p>La millor introducci\u00f3 al treball de Schaeffer \u00e9s potser l\u2019extracte d\u2019una entrevista sobre \u201cVariacions sobre una flauta mexicana\u201d:<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Explications-sur-flute-mexicaine-entretien.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>I ara, alguns aspectes de les seves realitzacions:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Introducci\u00f3 a la m\u00fasica concreta: Estudi de camins de ferro &#8211; L\u2019ocell RAI &#8211; Variacions sobre una flauta mexicana. (1948-49)<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Schaeffer-Introduction-Musique-Concrete-1.mp3\"><\/audio><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Orph\u00e9e, en col\u00b7laboraci\u00f3 amb Pierre Henry (1953)<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Pierre-Schaeffer-Pierre-Henry-Orphee-53-1953.mp3\"><\/audio><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Estudi dels objectes (1959)<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Pierre-Schaeffer-Etude-aux-objets-Part-1-5-1959.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Figura imprescindible de la creaci\u00f3 musical del segle XX, Pierre Schaeffer finalment no es considerava compositor, sin\u00f3 investigador. Va renegar for\u00e7a r\u00e0pidament de l\u2019apel\u00b7laci\u00f3 de \u201cm\u00fasica concreta\u201d en favor de \u201cm\u00fasica experimental\u201d. Era molt conscient que les seves recerques contribuirien a l\u2019emerg\u00e8ncia d\u2019un altre tipus de m\u00fasica, paral\u00b7lelament a una altra mirada sobre els sons i els sorolls.<\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-image-fill-element\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"469\" src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/image.png\" alt=\"\" class=\"wp-image-5662 size-full\" style=\"object-position:56% 50%\" srcset=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/image.png 790w, https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/image-300x178.png 300w, https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/image-768x456.png 768w, https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/image-281x167.png 281w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Pierre Schaeffer (1910-1995) \u00e9s un enginyer, investigador, te\u00f2ric, compositor i escriptor franc\u00e8s. Tamb\u00e9 va ser home de r\u00e0dio, fundador i director de nombrosos serveis.<\/p>\n\n\n\n<p>Tindreu acc\u00e9s a altres elements sobre els t\u00edtols seguits de * a l\u2019apartat <strong><em><a href=\"#savoir+\">\u201cPer saber-ne m\u00e9s\u2026\u201d<\/a><\/em><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Qu\u00e8 \u00e9s la m\u00fasica concreta?<\/h2>\n\n\n\n<p>Decididament ac\u00fastica, <strong>la m\u00fasica concreta cerca el seu material en els cossos sonors<\/strong>, dels quals el so \u00e9s captat per micro i generalment manipulat despr\u00e9s de l\u2019enregistrament: o b\u00e9 mec\u00e0nicament (per muntatge o variaci\u00f3 de la velocitat de lectura), o b\u00e9 el\u00e8ctricament (per filtratge de l\u2019espectre de freq\u00fc\u00e8ncies i amplificaci\u00f3).<\/p>\n\n\n\n<p><strong>La m\u00fasica concreta no \u00e9s m\u00fasica electr\u00f2nica, ja que en aquesta, els sons s\u00f3n produ\u00efts artificialment i no existeixen a la natura. <\/strong>Tanmateix, es teixir\u00e0 un vincle molt fort entre aquests dos corrents al segle XX, amb obres musicals que utilitzen simult\u00e0niament les t\u00e8cniques inherents als dos g\u00e8neres. Aquesta \u00e9s la m\u00fasica <strong>acusm\u00e0tica<\/strong>.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Per qu\u00e8 Pierre Schaeffer deia que la m\u00fasica concreta \u201cno era m\u00fasica\u201d?<\/h3>\n\n\n\n<p>Pierre Schaeffer va inventar la m\u00fasica concreta no com un estil, sin\u00f3 com una experimentaci\u00f3 de l\u2019escolta. Volia preguntar: <strong>\u201cQu\u00e8 \u00e9s la m\u00fasica, si es treballa ja no sobre notes escrites, sin\u00f3 sobre sons enregistrats?\u201d<\/strong><\/p>\n\n\n\n<p>Despr\u00e9s de les seves primeres obres, va constatar:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Que moltes peces concretes quedaven com collage de sons sense llenguatge musical clar.<\/li>\n\n\n\n<li>Que de vegades mancava una estructura emocional i po\u00e8tica que vincul\u00e9s els sons.<\/li>\n\n\n\n<li>Que aquesta recerca era apassionant, per\u00f2 no sempre produ\u00efa el que ell considerava com a \u201cm\u00fasica\u201d.<\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-text-align-center\">\u201cTot el que he fet no era m\u00fasica,<br>era una recerca que plantejava la q\u00fcesti\u00f3 de la m\u00fasica.\u201d<br><strong>Pierre Schaeffer<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><br>Per aix\u00f2 va preferir continuar <strong>pensant i ensenyant l\u2019escolta<\/strong>, deixant que altres compositors prolonguessin la m\u00fasica concreta en direccions art\u00edstiques variades, en primer lloc un dels seus primers col\u00b7laboradors:&nbsp;<strong><em><a href=\"https:\/\/ca.wikipedia.org\/wiki\/Pierre_Henry\" target=\"_blank\" rel=\"noreferrer noopener\">Pierre Henry<\/a><\/em><\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>El cat\u00e0leg de composicions de Pierre Schaeffer \u00e9s for\u00e7a redu\u00eft i, amb perspectiva, potser les seves obres no estan realment destinades a ser escoltades com obres musicals. <br>No obstant aix\u00f2, s\u00f3n molt interessants de con\u00e8ixer, per aix\u00f2 us les proposo aqu\u00ed!<\/p>\n\n\n\n<p><strong><em><a href=\"#podcast\">Podcast *<\/a><br>Us recomano vivament la lectura dels textos apassionants d\u2019aquest podcast, accessibles en <a href=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/CT-Traite-des-objets-musicaux-Traduction-catalane-.pdf\">enlla\u00e7 PDF<\/a>.<\/em><\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"#\u00e9l\u00e9ments\"><em>Estudis de sorolls (1948) *<\/em><\/a><\/h4>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=CTf0yE15zzI&amp;list=PLS9xQO89CuRAb6n0oN2ONlZgK8UByzf3B&amp;index=1\">00:00<\/a> Estudi dels camins de ferro &#8211; trens <a href=\"https:\/\/www.youtube.com\/watch?v=CTf0yE15zzI&amp;list=PLS9xQO89CuRAb6n0oN2ONlZgK8UByzf3B&amp;index=1&amp;t=173s\">02:53<\/a> Estudi dels torniquets &#8211; joguines i instruments de percussi\u00f3 <a href=\"https:\/\/www.youtube.com\/watch?v=CTf0yE15zzI&amp;list=PLS9xQO89CuRAb6n0oN2ONlZgK8UByzf3B&amp;index=1&amp;t=292s\">04:52<\/a> Estudi violeta &#8211; piano enregistrat per Schaeffer per Boulez <a href=\"https:\/\/www.youtube.com\/watch?v=CTf0yE15zzI&amp;list=PLS9xQO89CuRAb6n0oN2ONlZgK8UByzf3B&amp;index=1&amp;t=492s\">08:12<\/a> Estudi negre &#8211; piano enregistrat per Schaeffer per Boulez <a href=\"https:\/\/www.youtube.com\/watch?v=CTf0yE15zzI&amp;list=PLS9xQO89CuRAb6n0oN2ONlZgK8UByzf3B&amp;index=1&amp;t=731s\">12:11<\/a> Estudi pat\u00e8tic &#8211; cassoles, barcasses, cant, discursos, harm\u00f2nica, piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Pierre-Schaeffer-Etudes-de-bruits-1948.mp3\"><\/audio><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Variacions sobre una flauta mexicana (1949)<\/h4>\n\n\n\n<p>Aquesta pe\u00e7a em sembla la m\u00e9s clara per comprendre el treball de Schaeffer: en aquest enregistrament, no va utilitzar res m\u00e9s que les 8 primeres notes de la flauta. Passades pel sed\u00e0s del seu laboratori, en va extreure entre altres les atacs, mat\u00e8ria percussiva, va jugar amb la velocitat, les superposicions, etc.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Variations-sur-flute-mexicaine.mp3\"><\/audio><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><em>L\u2019ocell RAI<\/em> (1949)<\/h4>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Loiseau-R-A-I.mp3\"><\/audio><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Suite per a 14 instruments (1949)<\/em><\/h4>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>I. Pr\u00e9lude<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Suite-pour-14-instruments-I.-Prelude.mp3\"><\/audio><\/figure>\n\n\n\n<p>II. Courante-roucante<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Suite-pour-14-instruments-II.-Courante.mp3\"><\/audio><\/figure>\n\n\n\n<p>III. Rigodon<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Suite-pour-14-instruments-III.-Rigodon.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>IV. Vagotte-gavotte<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Suite-pour-14-instruments-IV.-Gavotte.mp3\"><\/audio><\/figure>\n\n\n\n<p>V. Sphoradie<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Suite-pour-14-instruments-V.-Sphoradie.mp3\"><\/audio><\/figure>\n\n\n\n<p>Suite dels 5 moviments<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Suite-pour-14-instruments.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Orph\u00e9e 53 (1953)<\/em><\/h4>\n\n\n\n<p><strong>Orph\u00e9e 53<\/strong>, en col\u00b7laboraci\u00f3 amb Pierre Henry, <strong>\u201c\u00d2pera concreta\u201d<\/strong> per a tres veus, clavic\u00e8mbal, viol\u00ed i cinta, 1953<br>I. Pr\u00f2leg &#8211; [<a href=\"https:\/\/www.youtube.com\/watch?v=XJq3jItducg&amp;t=75s\">01:15<\/a>] II. Primer \u00e0ria d\u2019Orfeu &#8211; [<a href=\"https:\/\/www.youtube.com\/watch?v=XJq3jItducg&amp;t=197s\">03:17<\/a>] III. Primer recitatiu d\u2019Orfeu &#8211; [<a href=\"https:\/\/www.youtube.com\/watch?v=XJq3jItducg&amp;t=397s\">06:37<\/a>] IV. Els monstres &#8211;  [<a href=\"https:\/\/www.youtube.com\/watch?v=XJq3jItducg&amp;t=600s\">10:00<\/a>] V. Desfilada d\u2019Eur\u00eddice &#8211; [<a href=\"https:\/\/www.youtube.com\/watch?v=XJq3jItducg&amp;t=804s\">13:24<\/a>] VI. Debat d\u2019Orfeu &#8211; [<a href=\"https:\/\/www.youtube.com\/watch?v=XJq3jItducg&amp;t=1119s\">18:39<\/a>] VII. Ruptura final <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Pierre-Schaeffer-Pierre-Henry-Orphee-53-1953.mp3\"><\/audio><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"#objets\"><em>Estudi dels objectes Part 1-5 (1959) *<\/em><\/a><\/h4>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=UQ7BZlV_0zQ&amp;list=PLS9xQO89CuRAb6n0oN2ONlZgK8UByzf3B&amp;index=2\">0:00<\/a> Objectes exosats <a href=\"https:\/\/www.youtube.com\/watch?v=UQ7BZlV_0zQ&amp;list=PLS9xQO89CuRAb6n0oN2ONlZgK8UByzf3B&amp;index=2&amp;t=217s\">3:37<\/a> Objectes estesos <a href=\"https:\/\/www.youtube.com\/watch?v=UQ7BZlV_0zQ&amp;list=PLS9xQO89CuRAb6n0oN2ONlZgK8UByzf3B&amp;index=2&amp;t=395s\">6:35<\/a> Objectes multiplicats <a href=\"https:\/\/www.youtube.com\/watch?v=UQ7BZlV_0zQ&amp;list=PLS9xQO89CuRAb6n0oN2ONlZgK8UByzf3B&amp;index=2&amp;t=580s\">9:40<\/a> Objectes units <a href=\"https:\/\/www.youtube.com\/watch?v=UQ7BZlV_0zQ&amp;list=PLS9xQO89CuRAb6n0oN2ONlZgK8UByzf3B&amp;index=2&amp;t=770s\">12:50<\/a> Objectes reunits<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Pierre-Schaeffer-Etude-aux-objets-Part-1-5-1959.mp3\"><\/audio><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">L\u2019objecte musical<\/h2>\n\n\n\n<p>L\u2019experi\u00e8ncia musical va ser una s\u00e8rie de 6 emissions radiof\u00f2niques. Aqu\u00ed teniu una seq\u00fc\u00e8ncia radiof\u00f2nica alhora jubilosa, pel di\u00e0leg de Schaeffer amb la seva interlocutora, i\u2026 indigest, ja que les explicacions s\u00f3n complexes i nombroses. Per comprendre-ho b\u00e9, em caldria una desena d\u2019escoltes!<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Lobjet-musical.mp3\"><\/audio><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"#savoir+\"><em>Solfeig de l\u2019objecte sonor (1967) *<\/em><\/a><\/h4>\n\n\n\n<p>Complement \u00e0udio del Tractat dels objectes musicals.<br>Pr\u00f2leg: els quatre elements del solfeig &#8211; Pierre Schaeffer, narrador. <strong><em><a href=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Schaeffer-Solfege-de-lobjet-sonore-Prologue.mp3\" target=\"_blank\" rel=\"noreferrer noopener\">Podcast<\/a><\/em><\/strong><br>Trobareu el text en <strong><em><a href=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Schaeffer-Solfege-de-lobjet-sonore-Prologue.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">PDF aqu\u00ed<\/a><\/em><\/strong> i a <strong><em><a href=\"#savoir+\">\u201cPer saber-ne m\u00e9s\u2026\u201d<\/a><\/em><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Schaeffer-Solfege-de-lobjet-sonore-0-Prologue-les-quatres-elements-du-solfege-IX.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\"><em>El rac\u00f3 de les escoltes comparatives\u2026<\/em><\/h4>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><em>Bidule en ut (1950)<\/em><\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Bidule-en-ut.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><em>Bilude (1979)<\/em><\/h5>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Bilude-\u2014-Pierre-Schaeffer-Official-Music-Video.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h5 class=\"wp-block-heading\">\u201cEstudi dels camins de ferro\u201d<\/h5>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Versi\u00f3 original de 1948 per Pierre Schaeffer<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/pierre-schaeffer-etude-aux-chemins-de-fer-1.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Versi\u00f3 revisitada el 2011 per Pierre Borel, sax\u00f2fon &amp; Hannes Lingens, caixa i objectes<br><strong><em><a href=\"https:\/\/youtu.be\/AuALNiUspjs?si=tfZrXxEb6M12oWsf\" target=\"_blank\" rel=\"noreferrer noopener\">Video de la performance.<\/a><\/em><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/Pierre-Schaeffer-Etude-aux-chemins-de-fer-1948-version-for-saxophone-and-snare-drum-2011.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" id=\"savoir+\"\/>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"\u00e9l\u00e9ments\"><strong><em>Per saber-ne m\u00e9s\u2026<\/em><\/strong><\/h4>\n\n\n\n<p>Elements biogr\u00e0fics de Pierre Schaeffer entorn de \u201c<strong><em>Cinc estudis dels sorolls<\/em><\/strong>\u201d i \u201c<strong><em>Estudi dels objectes<\/em><\/strong>\u201d<\/p>\n\n\n\n<p>A m\u00e9s del seu treball innovador com a compositor, Schaeffer tamb\u00e9 va ser un te\u00f2ric de la m\u00fasica i un home de lletres, com demostren els seus nombrosos escrits. Nascut el 1910, Schaeffer es va orientar primer cap a estudis t\u00e8cnics i cient\u00edfics i va treballar com a enginyer en telecomunicacions i t\u00e8cnic de so a partir de 1934, abans fins i tot de considerar una carrera com a compositor. La seva experi\u00e8ncia professional, combinada amb coneixements rudimentaris de violoncel, li va permetre realitzar les seves primeres obres de m\u00fasica concreta, com \u201cCinc estudis dels sorolls\u201d el 1948, seguit de la direcci\u00f3 del Grup de recerques de m\u00fasica concreta (GRMC) de 1951 a 1953, que m\u00e9s tard va prendre el nom de Grup de recerques musicals (GRM) i es va fusionar als anys 1970 amb l\u2019Institut nacional de l\u2019audiovisual per formar l\u2019INA GRM.<\/p>\n\n\n\n<p>Va intensificar la seva reflexi\u00f3 te\u00f2rica, que ja havia iniciat molt aviat, en detriment de la seva pr\u00e0ctica musical i amb la finalitat de determinar la seva concepci\u00f3 de la m\u00fasica: Schaeffer era de l\u2019opini\u00f3 que la m\u00fasica occidental es privava d\u2019una esfera important en concentrar-se en els instruments tradicionals i, per tant, en al\u00e7ades de sons fixes.<\/p>\n\n\n\n<p>El seu q\u00fcestionament dels instruments tradicionals i l\u2019experi\u00e8ncia auditiva associada a Var\u00e8se, Cage i Messiaen proporcionen informaci\u00f3 sobre la seva evoluci\u00f3 professional cap a la composici\u00f3 i el treball sobre els sons que es reflecteix en la m\u00fasica concreta.<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" id=\"objets\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Qualificada per M\u00f6ller com a \u201cobra mestra de Schaeffer\u201d, \u201cl\u2019<strong><em>Estudi dels objectes<\/em><\/strong>\u201d pot ser interpretada com \u201cel resultat d\u2019una recerca sobre les possibilitats de domesticaci\u00f3\u201d i constitueix la darrera gran composici\u00f3 de Schaeffer, que no atorgava gaire import\u00e0ncia a la seva pr\u00f2pia pr\u00e0ctica compositiva i q\u00fcestionava constantment les seves capacitats de m\u00fasic. Representa una successi\u00f3 de diversos petits estudis, despr\u00e9s dels quals Schaeffer va abandonar completament la composici\u00f3 durant un llarg per\u00edode. L\u2019obra defensa la idea que ha de representar la conclusi\u00f3 de la visi\u00f3 musical del compositor i arriba aix\u00ed \u201ca una revoluci\u00f3 completa de l\u2019ofici de compositor\u201d. Per aconseguir-ho, nom\u00e9s es van utilitzar sons originals, recollits durant anys. Aquests nom\u00e9s van ser editats, mesclats i, en tot cas, transposats. Schaeffer considera la seva composici\u00f3 com un \u201cpaisatge\u201d on \u201cels objectes musicals [\u2026] han estat desplegats per formar el material sonor de base que mai no ser\u00e0 tra\u00eft\u201d.<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" id=\"solf\u00e8ge\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">LEl solfeig de l\u2019objecte sonor<\/h4>\n\n\n\n<p>Per a les necessitats de les traduccions, he transcrit el text dit per Pierre Schaeffer en l\u2019enregistrament d\u2019aquest Pr\u00f2leg.<br>Els minutatges corresponen als exemples sonors. <strong><em><a href=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/CT-Traite-des-objets-musicaux-Traduction-catalane-.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Feu clic en aquest enlla\u00e7<\/a><\/em><\/strong>.<\/p>\n\n\n\n<p>I aqu\u00ed teniu una pel\u00b7l\u00edcula en qu\u00e8 la compositora <strong>Beatriz Ferreyra<\/strong> presenta el solfeig dels objectes sonors de Pierre Schaeffer, en qu\u00e8 va col\u00b7laborar activament amb <strong>Guy Reibel<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"[P\u00e9dago] PIERRE SCHAEFFER : &#039;LE SOLF\u00c8GE DE L&#039;OBJET SONORE&#039;\" width=\"760\" height=\"570\" src=\"https:\/\/www.youtube.com\/embed\/pwDnpiecev8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" id=\"podcast\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Podcast sobre Pierre Schaeffer<\/h2>\n\n\n\n<p><a href=\"https:\/\/embed.radiofrance.fr\/francemusique\/diffusion\/2745b095-f0a9-42da-9938-434b02f4ff6d\">https:\/\/embed.radiofrance.fr\/francemusique\/diffusion\/2745b095-f0a9-42da-9938-434b02f4ff6d<\/a><\/p>\n\n\n\n<p><strong><em><a href=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/07\/CT-Podcast-Pierre-Schaeffer-Traduction-catalane.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Text complet del podcast..<\/a><\/em><\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>Amb Pierre Schaeffer (1910-1995), pare de la m\u00fasica concreta, el pas del tren, el so del paper, el so del vent esdevenen material sonor, una invitaci\u00f3 a escoltar de manera diferent.<\/p>\n","protected":false},"author":1,"featured_media":5663,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"yes","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","footnotes":""},"categories":[254,192],"tags":[],"class_list":["post-5940","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ecoutes-fr-fr-ca","category-non-classe-ca"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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