{"id":5248,"date":"2025-05-16T18:01:24","date_gmt":"2025-05-16T16:01:24","guid":{"rendered":"https:\/\/pigyki.fr\/?p=5248"},"modified":"2025-05-18T00:11:33","modified_gmt":"2025-05-17T22:11:33","slug":"escucha-musical-n62-pierre-boulez","status":"publish","type":"post","link":"https:\/\/pigyki.fr\/index.php\/es\/2025\/05\/16\/escucha-musical-n62-pierre-boulez\/","title":{"rendered":"Escucha musical n\u00b062  Pierre Boulez"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Pierre Boulez (1925-2016)<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pourquoi d\u00e9teste-t-on autant la musique de Pierre Boulez ?\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/mXGuDsjny4E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\" style=\"font-size:20px\">\u00bfQu\u00e9 le parece?<br>Deje sus comentarios a continuaci\u00f3n\u2026<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em><a href=\"https:\/\/es.wikipedia.org\/wiki\/Pierre_Boulez\" target=\"_blank\" rel=\"noreferrer noopener\">Pierre Boulez<\/a><\/em><\/strong> era un nombre marcado con hierro candente (por poco atractivo) por mi difunto profesor Jacques Chapuis.<br>As\u00ed que con cierta curiosidad y emoci\u00f3n descubro por fin a este compositor con motivo del centenario de su nacimiento, en 1925.<br>Aunque controvertido, fue una de las figuras m\u00e1s importantes de la m\u00fasica contempor\u00e1nea del siglo XX.<\/p>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile\"><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\">Compositor, director de orquesta, te\u00f3rico y profesor, redefini\u00f3 los contornos de la creaci\u00f3n musical gracias a su radicalismo, su rigor intelectual y su compromiso con una modernidad musical sin concesiones.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"570\" height=\"391\" src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/boulez_pierre-e1747226752223.jpg\" alt=\"\" class=\"wp-image-5193 size-full\" srcset=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/boulez_pierre-e1747226752223.jpg 570w, https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/boulez_pierre-e1747226752223-300x206.jpg 300w, https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/boulez_pierre-e1747226752223-281x193.jpg 281w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Hasta principios del siglo XX, lo que llamaba la atenci\u00f3n del oyente era principalmente el discurso mel\u00f3dico, m\u00e1s o menos \u00ab\u00a0coloreado\u00a0\u00bb por la armon\u00eda y la instrumentaci\u00f3n u orquestaci\u00f3n, impulsado por los dos polos Tensi\u00f3n \/ Relajaci\u00f3n de la tonalidad, con algunas excepciones notables, como Stravinsky y los compositores de la Segunda Escuela de Viena: Berg, Sch\u00f6nberg y Webern.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Boulez fue un gran adepto del serialismo, pero de un serialismo inspirado y no exclusivamente intelectual, en el que fue m\u00e1s disc\u00edpulo de Messiaen.<br>Escuchar su m\u00fasica, por no hablar de apreciarla, sigue siendo cosa de un reducido n\u00famero de iniciados, \u00a1y sin embargo los conciertos de celebraci\u00f3n de su centenario llenan la gran sala de la Filarm\u00f3nica de Par\u00eds!<br>Razones suficientes para preguntarse\u2026 \u00a1y otras tantas para escucharle hablar y presentar esta \u00ab\u00a0m\u00fasica contempor\u00e1nea\u00a0\u00bb (v\u00e9ase m\u00e1s abajo)!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Para ampliar este c\u00edrculo de iniciados (y por qu\u00e9 no, para unirse a \u00e9l\u2026), le sugiero (\u00a1le aconsejo y le recomiendo!) que se sumerja en este universo tan especial.<br>La oportunidad que tenemos de escuchar, y sobre todo de volver a escuchar grabaciones, es una ocasi\u00f3n maravillosa de familiarizarnos con lo desconocido, lo desconcertante, lo extra\u00f1o, y de domesticarlo (como a nuestro querido Principito y al Zorro) mediante peque\u00f1os toques o zambullidas en lo m\u00e1s profundo de la piscina (de la que saldr\u00edamos nadando como un perrito)\u2026<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading has-text-align-right\">Para el peque\u00f1o ba\u00f1o\u2026<\/h6>\n\n\n\n<h5 class=\"wp-block-heading\">12 Notations (1945)<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Pierre-Laurent Aimard, Piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/Boulez-12-Notations-pour-piano-1945-w-score.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Con la partitura: <a href=\"https:\/\/www.youtube.com\/watch?v=CJG38iQ9d7I&amp;t=4s\">0:04<\/a> &#8211; I. Fantasque &#8211; Mod\u00e9r\u00e9 <a href=\"https:\/\/www.youtube.com\/watch?v=CJG38iQ9d7I&amp;t=63s\">1:03<\/a> &#8211; II. Tr\u00e8s vif <a href=\"https:\/\/www.youtube.com\/watch?v=CJG38iQ9d7I&amp;t=84s\">1:24<\/a> &#8211; III. Assez lent <a href=\"https:\/\/www.youtube.com\/watch?v=CJG38iQ9d7I&amp;t=142s\">2:22<\/a> &#8211; IV. Rythmique <a href=\"https:\/\/www.youtube.com\/watch?v=CJG38iQ9d7I&amp;t=173s\">2:53<\/a> &#8211; V. Doux et improvis\u00e9 <a href=\"https:\/\/www.youtube.com\/watch?v=CJG38iQ9d7I&amp;t=223s\">3:43<\/a> &#8211; VI. Rapide <a href=\"https:\/\/www.youtube.com\/watch?v=CJG38iQ9d7I&amp;t=249s\">4:09<\/a> &#8211; VII. Hi\u00e9ratique <a href=\"https:\/\/www.youtube.com\/watch?v=CJG38iQ9d7I&amp;t=334s\">5:34<\/a> &#8211; VIIII. Mod\u00e9r\u00e9 jusqu&rsquo;a tr\u00e8s vif <a href=\"https:\/\/www.youtube.com\/watch?v=CJG38iQ9d7I&amp;t=379s\">6:19<\/a> &#8211; IX. Lointain &#8211; Calme <a href=\"https:\/\/www.youtube.com\/watch?v=CJG38iQ9d7I&amp;t=520s\">8:40<\/a> &#8211; X. M\u00e9canique et tr\u00e8s sec <a href=\"https:\/\/www.youtube.com\/watch?v=CJG38iQ9d7I&amp;t=541s\">9:01<\/a> &#8211; XI. Scintillant <a href=\"https:\/\/www.youtube.com\/watch?v=CJG38iQ9d7I&amp;t=578s\">9:38<\/a> &#8211; XII. Lent &#8211; Puissant et \u00e2pre<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Sonatine (1946)<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">para Flauta y Piano, por Sophie Cherrier, Flauta &amp; Pierre-Laurent Aimard, Piano (1991)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/Sonatine.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\">Oubli signal lapid\u00e9 (1952)<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Pieza en 7 partes basada en un texto de Armand Gatti, para coro mixto a 12 voces.<br>1\u00aa parte por el Ensemble Marcel Couraud bajo su direcci\u00f3n.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/Pierre-Boulez-Oubli-signal-lapide-1st-movement-1952.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\">Le marteau sans ma\u00eetre (1954) &#8211; Extrait<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Poemas de Ren\u00e9 Char de su colecci\u00f3n \u00ab\u00a0Le marteau sans ma\u00eetre\u00a0\u00bb.<br><strong>V. \u00ab\u00a0Bel \u00e9difice et les pressentiments\u00a0\u00bb <br><\/strong>Por Salom\u00e9 Haller, mezzo soprano y el Ensemble Orchestral Contemporain &#8211; Daniel Kawka, director.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/Le-Marteau-sans-maitre-V.-Bel-edifice-et-les-pressentiments-version-premiere.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Estas dos piezas vocales enlazadas<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/Pierre-Boulez-Extraits-vocaux.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading has-text-align-right\"><em>Dar el paso\u2026<\/em><\/h6>\n\n\n\n<h5 class=\"wp-block-heading\">Pli selon pli<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Don<\/em><\/strong> (1\/5) Retrato de Mallarm\u00e9 para soprano y orquesta<br>Marisol Montalvo, soprano &#8211; Orquesta del Conservatorio de Par\u00eds Ensemble intercontemporain &#8211; Matthias Pintscher, director.<br>Grabado en directo el 3 de febrero de 2015 en la Philharmonie de Par\u00eds.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/Pierre-Boulez-Pli-selon-pli-Don-Ensemble-intercontemporain-Matthias-Pintscher.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\">Structure I en 3 parties pour 2 pianos (1952)<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Con la partitura: Ia <a href=\"https:\/\/www.youtube.com\/watch?v=6sfGLoF5IUY&amp;list=PLXuiIsVnD8V0rQWfTf7Yj9k0puT95oxbx&amp;index=6\">0:00<\/a> (3&rsquo;26) &#8211; Ib <a href=\"https:\/\/www.youtube.com\/watch?v=6sfGLoF5IUY&amp;list=PLXuiIsVnD8V0rQWfTf7Yj9k0puT95oxbx&amp;index=6&amp;t=206s\">3:26<\/a> (9&rsquo;31) &#8211; Ic <a href=\"https:\/\/www.youtube.com\/watch?v=6sfGLoF5IUY&amp;list=PLXuiIsVnD8V0rQWfTf7Yj9k0puT95oxbx&amp;index=6&amp;t=775s\">12:55<\/a> (2&rsquo;37)<br>Por Pierre Boulez e Yvonne Loriod<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/Pierre-Boulez-Structures-I-Audio-Score.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading has-text-align-right\"><em>Pour les comp\u00e9titions&#8230;<\/em><\/h6>\n\n\n\n<h5 class=\"wp-block-heading\">Incises (1994\/2001)<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Pieza compuesta para un concurso de piano, por encargo de Luciano Berio y Maurizio Pollini<br>por S\u00e9bastien Vichard, piano (2014)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/Pierre-Boulez-Incises-Sebastien-Vichard-Ensemble-intercontemporain.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\">Sonate n\u00b02 (1947-48)<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Maurizio Pollini, Piano.<br>Con la partitura: <a href=\"https:\/\/www.youtube.com\/watch?v=-ZpNlxoXpQg\">0:00<\/a> I. Extr\u00eamement rapide <a href=\"https:\/\/www.youtube.com\/watch?v=-ZpNlxoXpQg&amp;t=361s\">6:01<\/a> II. Lent <a href=\"https:\/\/www.youtube.com\/watch?v=-ZpNlxoXpQg&amp;t=1026s\">17:06<\/a> III. Mod\u00e9r\u00e9, presque vif <a href=\"https:\/\/www.youtube.com\/watch?v=-ZpNlxoXpQg&amp;t=1160s\">19:20<\/a> IV. Vif<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/Pierre-Boulez-2e-sonate-pour-piano-1947-48.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading has-text-align-right\"><em>Para la larga traves\u00eda, navegar de isla en isla\u2026<\/em><\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">Concierto del centenario grabado y filmado el 6 de enero de 2025 en la Filarm\u00f3nica de Par\u00eds.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Pierre Boulez &#8211; \u00ab\u00a0M\u00e9moriale (\u2026explosante-fixe\u2026 Originel)\u00a0\u00bb pour Fl\u00fbte solo et Ensemble Instrumental (5&rsquo;40)<\/li>\n\n\n\n<li>Pierre Boulez &#8211; \u00ab\u00a0Messagesquisse\u00a0\u00bb pour Violoncelle solo et 6 violoncelles (9&rsquo;20)<\/li>\n\n\n\n<li>Pierre Boulez &#8211; \u00ab\u00a0Sonatine\u00a0\u00bb pour Fl\u00fbte et Piano (12&rsquo;10)<\/li>\n\n\n\n<li>Charlotte Bray &#8211; Nothing Ever Truly Ends (cr\u00e9ation mondiale) (12&rsquo;10)<\/li>\n\n\n\n<li>Pierre Boulez &#8211; \u00ab\u00a0R\u00e9pons\u00a0\u00bb pour 6 Solistes, Ensemble, Sons informatiques et \u00e9lectroniques en temps r\u00e9el (44&prime;)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Banda sonora del concierto: he sustituido los aplausos por periodos de silencio de 3 a 5 segundos.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/The-Centenary-of-Pierre-Boulez-Ensemble-Intercontemporain-Friends-ARTE-Concert-1.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Para este concierto, Pierre Bleuse y el Ensemble Intercontemporain han reunido una formaci\u00f3n de primer orden: Jean-Guihen Queyras (violonchelo), Pierre-Laurent Aimard, Hid\u00e9ki Nagano, Dimitri Vassilakis (piano), Sophie Cherrier, Emmanuelle Oph\u00e8le (flauta), Gilles Durot, Samuel Favre (percusi\u00f3n), Valeria Kafelnikov (arpa) y Aur\u00e9lien Gignoux (c\u00edmbalo).<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Centenary of Pierre Boulez : Ensemble Intercontemporain &amp; Friends - ARTE Concert\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/W8Hsj_1P-pY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\">Rinc\u00f3n de escucha comparativa<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">12 Notations (1945)<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Pierre-Laurent Aimard, Piano<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/Boulez-12-Notations-pour-piano-1945-w-score.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Versi\u00f3n para orquesta, por la Academia del Festival de Lucerna, dirigida por Pierre Boulez.<br>Orden de las piezas: 1 &#8211; 7 &#8211; 4 &#8211; 3 &#8211; 2<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/Boulez-Notations-pour-Orchestre-Lucerne-Festival-Academy.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Presentado en ingl\u00e9s e interpretado en concierto por <strong><em><a href=\"https:\/\/es.wikipedia.org\/wiki\/Jean-Efflam_Bavouzet\" target=\"_blank\" rel=\"noreferrer noopener\">Jean-Efflam Bavouzet<\/a><\/em><\/strong>* <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pierre Boulez: 12 Notations | Jean-Efflam Bavouzet\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/sMvL1jlN_d8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:14px\">Jean-Efflam Bavouzet tuvo como profesor de piano a Jacques Chapuis antes de ingresar en el Conservatorio de Par\u00eds.<br>Chapuis le invit\u00f3 a dar un recital en el marco de un Congreso Willems y de una reuni\u00f3n de la EPTA en Lyon en \u2026 1990 ?<br>Recuerdo que Chapuis le present\u00f3 como uno de sus alumnos, pero \u00e9l no lo menciona en su biograf\u00eda\u2026<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h5 class=\"wp-block-heading\">Incises (1994\/2001)<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">por S\u00e9bastien Vichard, piano (2014)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/Pierre-Boulez-Incises-Sebastien-Vichard-Ensemble-intercontemporain.mp3\"><\/audio><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\">Sur Incises &#8211; Pour 3 Pianos, 3 Harpes et 3 Percussions<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Por Julien Blanc, Philippe Hattat, Antoine Ouvrard, piano Jean-Baptiste Bonnard, Thibault Lepri, Fran\u00e7ois Vallet, percusi\u00f3n Marcel Cara, Lauriane Chenais, L\u00e9o Doum\u00e8ne, arpa Bruno MANTOVANI, director de orquesta<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/Pierre-BOULEZ-sur-Incises.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\">Para aprender a nadar\u2026<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">Une le\u00e7on de Pierre Boulez sur la FORME<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Basada en dos extractos de obras: \u00ab\u00a0Pierrot lunaire\u00a0\u00bb de Arnold Sch\u00f6nberg y \u00ab\u00a0\u00c9clat\u00a0\u00bb de Pierre Boulez.<br>He transcrito el texto de esta lecci\u00f3n y te recomiendo que leas algunos <strong><em><a href=\"https:\/\/pigyki.fr\/wp-content\/uploads\/2025\/05\/Pierre-Boulez-Siglo-XX-Forma-EXTRACTOS.pdf\">extractos (enlace pdf)<\/a><\/em><\/strong>.<br>Por supuesto, puede ver a continuaci\u00f3n el v\u00eddeo en el que presenta estas dos obras en detalle. \u00a1Es realmente fascinante!<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pierre Boulez - Siglo XX - Forma\" width=\"760\" height=\"570\" src=\"https:\/\/www.youtube.com\/embed\/kwxweeqB6ik?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-pullquote\" style=\"font-size:16px\"><blockquote><p>No reconoces las cosas, vas y las reconoces, parece que las reconoces, y al final las reconoces pero no est\u00e1s muy seguro de cu\u00e1ndo las reconoces. As\u00ed surgi\u00f3 esta pieza [\u00ab\u00a0<strong>Sur Incise<\/strong>\u00ab\u00a0].<br><br>Es decir, ya no hay una forma como en la m\u00fasica cl\u00e1sica, por ejemplo, donde la arquitectura estaba totalmente definida antes incluso de que existiera, y rellenas una arquitectura seg\u00fan un plan dado. Pero aqu\u00ed, la arquitectura se crea a medida que surgen las ideas.<br><br>Por eso la m\u00fasica contempor\u00e1nea es quiz\u00e1 m\u00e1s dif\u00edcil en cierto sentido, porque tienes que haberla vivido, haber estado en ella, pero creo que es mucho m\u00e1s enriquecedora porque b\u00e1sicamente has descubierto un mundo que no exist\u00eda antes de escucharla.<\/p><cite>Pierre Boulez, extracto de<br>Una lecci\u00f3n de Pierre Boulez presentando \u00ab\u00a0Sur Incise<br>pel\u00edcula de Andy Sommer (2000)<\/cite><\/blockquote><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><strong><em>Una lecci\u00f3n de Pierre Boulez presentando\u00a0\u00bbSur Incise\u00a0\u00bb<\/em><\/strong><\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Por \u00faltimo, le recomiendo encarecidamente que vea esta pel\u00edcula de 50 minutos. Me parece incre\u00edble que Boulez no hable en ning\u00fan momento de la t\u00e9cnica de escritura, lo que implicar\u00eda que se necesita alg\u00fan conocimiento intelectual previo para poder escuchar esta m\u00fasica.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Andy Sommer - Une lecon de Pierre Boulez (check automatic translation to ENG)\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/sCiwdqrz3kI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>Boulez escribi\u00f3: \u00ab\u00a0Una de las impresiones m\u00e1s inc\u00f3modas que tiene un oyente cuando escucha m\u00fasica contempor\u00e1nea es la de no tener sentido de la orientaci\u00f3n, la de vagar sin fin, en un laberinto, sin ver la salida. Todo parece escapar a su atenci\u00f3n y sensibilidad, mientras que cuando escucha obras conocidas, siente una sensaci\u00f3n de bienestar.<\/p>\n","protected":false},"author":1,"featured_media":5193,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","footnotes":""},"categories":[109,8],"tags":[],"class_list":["post-5248","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-escuchas","category-ecoutes-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Escucha musical n\u00b062 Pierre Boulez - Pigyki<\/title>\n<meta name=\"description\" content=\"Presentaci\u00f3n Pierre Boulez compositor m\u00fasica contempor\u00e1nea m\u00fasica del siglo xx escuchar extractos musicales lista de reproducci\u00f3n Pigyki\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pigyki.fr\/index.php\/es\/2025\/05\/16\/escucha-musical-n62-pierre-boulez\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Escucha musical n\u00b062 Pierre Boulez - 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